A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
Cowboy James Franciscus seeks fame and fortune by capturing a Tyrannosaurus Rex living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out ... See full summary »
King Kong is brought in by an evil ruler to dig for precious gems in a mine when the robot MechaKong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle that threatens to level Japan.
In Africa, the girl Jill Young trades a baby gorilla with two natives and raises the animal. Twelve years later, the talkative and persuasive promoter Max O'Hara organizes a safari to Africa with the Oklahoma cowboy Gregg to bring attractions to his new night-club in Hollywood. They capture several lions and out of blue, they see a huge gorilla nearby their camping and they try to capture the animal. However, the teenager Jill Young stops the men that intended to kill her gorilla. Max seduces Jill with a fancy life in Hollywood and she signs a contract with him where the gorilla Joseph "Joe" Young would be the lead attraction. Soon she realizes that her dream is a nightmare to Joe and she asks Max to return to Africa. However he persuades her to stay a little longer in the show business. But when three alcoholic costumers give booze to Joe, the gorilla destroys the spot and is sentenced by the justice to be sacrificed. Will Jill, Gregg and Max succeed in saving Joe?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The "cowboys in Africa" sequence in this film used footage originally shot to be used in a planned but not completed follow-up to King Kong (1933), "The Valley of Gwangi". That film (as The Valley of Gwangi (1969)) was eventually made by Ray Harryhausen. See more »
Max is sitting typing in his tent in Africa, a servant exits the tent, pulling back the net in front of the opening. For a brief moment a hand is visible pulling the net out of the shot. See more »
A wonderfully entertaining slant on "King Kong" by Kong's creators, Cooper and Schoedsack (along with John Ford). Much better than Kong's 1934 sequel, "Son of Kong", which was hurriedly made. The creators put a lot of thought and effort into this worthy follow-up and it shows. More superb special effects from Willis O'Brien as technical director, featuring the budding talents of protege, Ray Harryhausen.
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