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Manhandled (1949)

Approved | | Crime, Drama, Film-Noir | 21 July 1949 (USA)
The secretary to a phony psychiatrist finds herself caught up in the murder of a patient's wife and realizes that her life is also in danger.

Director:

Lewis R. Foster

Writers:

Lewis R. Foster (screenplay), Whitman Chambers (screenplay) | 1 more credit »
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Cast

Cast overview:
Dorothy Lamour ... Merl Kramer
Sterling Hayden ... Joe Cooper
Dan Duryea ... Karl Benson
Irene Hervey ... Ruth / Mrs. Alton Bennet
Phillip Reed ... Guy Bayard
Harold Vermilyea ... Dr. Redman
Alan Napier ... Alton Bennet
Art Smith ... Detective Lt. Bill Dawson
Irving Bacon ... Sgt. Fayle
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Storyline

Merle Kramer works as a stenographer for a psychiatrist. She is casually dating Karl Benson, a private eye and former cop. Merle mentions in passing that one of her boss's patients is an author with recurring dreams of murdering his wife, and she includes the fact that the wife owns valuable jewels. When the wife is found murdered in a manner identical to that of her husband's dream, the husband is naturally the prime suspect. But as the investigation of the police and insurance investigator Joe Cooper proceeds, it turns out that several people in the case, including Merle, are not what they seem. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

The story of a smiling "Lady Killer" who knew how to "handle" women!

Genres:

Crime | Drama | Film-Noir

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

21 July 1949 (USA) See more »

Also Known As:

A Man Who Stole a Dream See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Star Dorothy Lamour, in her autobiography, described working with George Reeves in the role of the insurance investigator, despite the fact that this role was played by Sterling Hayden. See more »

Quotes

Det. Dawson: I've never known a congenital wise-guy yet that didn't outsmart himself.
See more »

Connections

Referenced in Buccaneer Soul (1993) See more »

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User Reviews

 
Kitten and Chaos.
22 July 2015 | by SpikeopathSee all my reviews

Manhandled is directed by Lewis R. Foster and adapted to screenplay by Foster and Whitman Chambers from the novel "The Man Who Stole A Dream" written by L. S. Goldsmith. It stars Dorothy Lamour, Dan Duryea, Sterling Hayden, Irene Hervey and Art Smith. Music is by Darrell Calker and cinematography by Ernest Laszlo.

I'm going to kill you, Ruth. I have to.

Manhandled is one of those late 40s crime mysteries that feature film noir legends and film noir narrative tints, thus why it finds itself under the film noir banner. This is more a curse than a blessing. For it's not a particularly great film, where the presence of Hayden and Duryea - and Laszlo on photography - just about keeps things bubbling away to make it watchable till the end. It has been said that the narrative is too tricksy for its own good, yet that isn't apparent since the story is very easy to follow. The twists come and go at regular intervals, but always with narrative clarity.

The main thrust of the plot finds Lamour being set up as the killer of Mrs. Alton Bennet (Hervey), with Bennet's jewels the reason for the crime. But there are a few other candidates in the frame, all of which are written to be believable suspects. The cops investigating are waspish of tongue, with Smith as dry as the Sahara, and Hayden is playing an insurance investigator who is along for the ride doing exactly the same job that the coppers are doing!

Duryea is the star attraction, playing a homme fatale type who chews gum a lot, calls his girlfriend Kitten and clearly is as untrustworthy as it gets (classic Duryea portrayal really!). Hayden doesn't show up until half an hour in, but he's a welcome arrival even if he isn't given much to get his teeth into. While Lamour pouts and ponders whilst gaining sympathy, which ultimately makes us wish she had of done more film noir type films.

There's some nice metaphorical touches, such as Duryea encamped in his apartment watching a vermin species consistently running on its wheel, and Laszlo's photography goes up a notch in the latter half of film - Lamour's apartment becomes foreboding and all the hall staircase sequences take on a greater oppressive meaning. A dream sequence is chilling, and there's one particular violent scene that is unforgettable. Unfortunately some of the comedy, whilst funny at times (drugs scenes are chucklesome), takes the pic out of its dramatic comfort zone.

Hayden and Duryea fans are safe in the knowledge that this is one to see, but it still winds up as a wasted opportunity to be something far more tougher and poignant. 6/10


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