5.8/10
654
37 user 7 critic

The Man on the Eiffel Tower (1950)

Unrated | | Mystery, Thriller | 4 February 1950 (USA)
French police inspector Maigret investigates the murder of a rich Paris widow and ends up chasing the killer up the Eiffel Tower's girders.

Directors:

, (uncredited) | 1 more credit »

Writers:

(screenplay), (novel)
Reviews

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ON DISC
1 nomination. See more awards »

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Cast

Complete credited cast:
... Inspector Jules Maigret
... Johann Radek
... Joseph Heurtin
... Bill Kirby
... Edna Wallace
... Helen Kirby
... Gisella Heurtin
George Thorpe ... Comelieu
... Janvier
William Cottrell ... Moers
... Waiter
... Professor Grollet
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Storyline

In Paris, a down and out medical student Johann Radek (Franchot Tone) is paid by Bill Kirby (Robert Hutton) to murder his wealthy aunt. A knife grinder (Burgess Meredith) is suspected, but Radek keeps taunting the police until they realize that he is the killer. The police and Maigret (Charles Laughton) are led on chases through the streets and over the rooftops of Paris and finally up the girders of the Eiffel Tower. Written by Herman Seifer <alagain@aol.com>

Plot Summary | Add Synopsis

Taglines:

PARIS As You've Never Seen It Before! See more »

Genres:

Mystery | Thriller

Certificate:

Unrated | See all certifications »
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Details

Country:

|

Language:

|

Release Date:

4 February 1950 (USA)  »

Also Known As:

Der Mann vom Eiffelturm  »

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Box Office

Budget:

$900,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)| (Anscocolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Producer Irving Allen was the original director, but after only three days of shooting, Charles Laughton threatened to quit if Burgess Meredith did not take over. Laughton directed the scenes in which Meredith appeared. See more »

Goofs

When Maigret is reading the 'Letter to the Editor' about the escape, the position of his hands on the newspaper change between shots. See more »

Quotes

Inspector Jules Maigret: [to Johann Radek] By the way - there's one thing I'd like to know. Am I following you, or are you following me?
See more »

Crazy Credits

In the opening credits, the "City of Paris" is given fifth billing as a star of the film. See more »

Connections

Featured in Jucy (2010) See more »

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User Reviews

It's bad, but it is not a complete waste
3 July 2006 | by See all my reviews

It did not surprise me to discover after watching this film that three different persons directed it. There is no consistent vision to the film, and the narrative is poorly handled: the plot is complicated, with multiple story threads that are not coherently executed. Shot in Anscocolor, an experimental colour processing technique, the film has a strange, washed out look to it, which could be the result of film stock degrading, as everything seems to have a yellow tinge. In general, the film is quite a drag - not particularly well made, nor easy to follow - however it has a significant amount of minor virtues.

The acting in the film is quite adequate, with Charles Laughton doing the best to make his detective character charismatic: he twitches his nose, smokes a pipe, and talks in an almost monotone voice when he is dealing with a suspect. Franchot Tone comes off the best though, giving a real sense of life to his character, a mastermind criminal who is obsessed with the idea that he cannot be caught, and often raves about it to Laughton. Even Burgess Meredith has some interesting moments as an insecure, introverted man caught up in the mess somewhere.

The music, cinematography and art direction are all adequately good too. The music fits to the appropriate mood of each scene, the camera-work is interesting now and again, either following the characters around or tilting up to look at the different bits of scenery, and the scenery, the locations all fit the tale reasonably well. Set in Paris, yet with Americans involved, there is a sense that this is a foreign environment where no one really knows the rules.

It is not a completely virtue-less movie, but it is still a mess overall. There are a number of jump cuts, although with four threads of story poorly woven together, a continuity error here and there does not disrupt too much. The dialogue is rather lame and often only says the obvious, plus the style of the film is melodramatic, and it often seems overdone. A humorous touch or two, Tone's performance and okay music are pretty much all that makes it bearable.


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