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Rakesh lives with his brother, Madan, and his dad in Rangoon. Madan has fallen into bad company and steals the family heirloom, in the shape of a dragon, some cash and runs away to India. ... See full summary »
A diamond thief hides his loot on an innocent child, but the child turns out to be an adult posing as a youngster to purchase a half-priced train ticket. Now, the thief will have to outwit the eccentric in a series of wacky misadventures.
Amidst fierce Qawali competitions, a poor poet/singer, Aman Hyderabadi, falls in love with Shabnam, the daughter of Police Commissioner Khan Bahadur. After Aman is humiliated by Bahadur, ... See full summary »
A young, naive heiress, in custody of a martinet and flamingly feminist aunt is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a ... See full summary »
One stormy night, a doctor offers a ride to a ghostly woman he meets on the side of the road. Later, he discovers his intended bride is identical in appearance to the ghost. Who was she and why does she haunt him?
Hari Shankar (Ashok Kumar) comes to claim his inheritance - a palatial building known as Shabnam Mahal. He does not see anything out of the normal, until he sees his portrait on the wall. The housekeeper tells him the background of the portrait and the tragic ending of two lovers. Later, Hari Shankar sees a woman singing and swinging in the garden swing, when he approaches, she disappears. Both the housekeeper and his lawyer friend, Shrinath, warn Hari Shankar, and ask him to stay away from this house, he does so, only to be drawn back. No one can help Hari Shankar now as he continues to be drawn deeper and deeper into the dark world of the ghostly apparition. "Ayega.. ayega... aanewala, aayega...." is still popular on radio and tapes/cd.Written by
This is one of the greatest suspense movies of all times in any language. Kamal Amrohi was a genius, who could never reproduce at the same level, as in Mahal, his debut venture. In this respect, he reminds me of Orsen Welles, whose debut venture Citizen Kane was his best, and one of the greatest movie of all times. What upsets me most is that Mahal is considered a ghost story by many commentators. Nothing could be further from truth. It's a great suspense story, told in a straight forward way, and yet exceptionally hard to guess the surprise ending on first viewing. Khemchand Prakash's music is among the finest in Hindi movies. But for his early demise, he would have been as much an icon as Naushad he introduced to Hindi films.
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