Lydia Garth meets Paul de Vandiere, a French nobleman, but their romance is plagued by Lydia's complaint of recurring spells of blurred vision. Paul leaves for France, promising to return ...
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Lilita De Barros
A girl from an impoverished family is jilted by her rich fiance, whose father doesn't approve. She decides to take revenge against them, and determines to let nothing or no one stop her from getting to the top.
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Bedelia, a newly remarried beautiful widow, is on honeymoon in Monte Carlo. A painter approaches her inquiring about her past. When she and her husband go back to England the artist will soon be there. Danger, crime and truth will follow.
Barry K. Barnes
Lydia Garth meets Paul de Vandiere, a French nobleman, but their romance is plagued by Lydia's complaint of recurring spells of blurred vision. Paul leaves for France, promising to return and marry Lydia, but she loses her sight while he is gone. Given no hope of recovery, she enters a convent and quickly finds that she has no vocation for life in a nunnery. She finally marries Paul, but encounters strong opposition from Verite Faimont, a neighbor who is very fond of Paul. The latter constantly plots against Lydia and is successful in temporarily breaking up the marriage, but can a miracle of restored vision be seen?Written by
Les Adams <firstname.lastname@example.org>
Faint-hearted, discount version of Rebecca; it should be full throttle purple, but it's lazy lavender .
A faint-hearted, discount version of Rebecca (itself a version of Jane Eyre.) The first third is adequately, but unexcitingly presented, and the remaining two thirds ground out in a series of unconvincing, predictable and lame melodramatic clichés. The usually dependable writer/director seems to have no discernible appetite here for the potential suspense, tension and excitement. This should be a good old fashioned melodrama, but at best it's a milk chocolate romance for undemanding picturegoers of the 1940s. Only Maxwell Reed as the oily servant, lurking and scheming, seems to have the right idea, but is given very little to do. The stars are dull. Maurice Denham and Thora Hird are okay, and Desmond Dickinson's photography is sometimes lovely.
5 of 13 people found this review helpful.
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