Soon after the death of his first wife (whose dowry was inadequate), Charles Bovary, a country doctor in Normandy, marries Emma Rouault, who is well-endowed in every sense. In her new home,... See full summary »
Madame Bovary is a 1937 German historical drama film directed by Gerhard Lamprecht and starring Pola Negri, Aribert Wäscher and Ferdinand Marian. It is an adaptation of Gustave Flaubert's 1857 novel Madame Bovary.
In nineteenth-century France, the romantic daughter of a country squire (Emma Rouault) marries a dull country doctor (Charles Bovary). To escape boredom, she throws herself into love ... See full summary »
A young woman in her late teens, a reader of novels and with high hopes of romance and passion, marries a widowed country doctor. Although he dotes on her, she is soon bored and discontent.... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
French author Gustave Flaubert is on trial for writing the "indecent" novel "Madame Bovary." To prove that he wrote a moral tale, Flaubert narrates the story of beautiful Emma Bovary, an adulteress who destroyed the lives of everyone she came in contact with.Written by
Daniel Bubbeo <firstname.lastname@example.org>
The Breen Office opposed the film, saying that it had too many controversies and innuendo; everything from the make-up to the kissing scenes had to be slightly toned down to appease the censors. See more »
[to the Marquis]
I'm just a village doctor and it isn't often I have the honor of murdering such a distinguished patient.
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Wonderful performances by Jones and Heflin and splendid directorial realization overcome the spurious moralizing fore and aft tags in which Metro saw fit to sandwich the story. There were complaints for years about the scripting of the novel, but tell me, "What's missing?" I've read the novel at least a dozen times and seen the film many more times than that and all that is missing is Flaubert's 'Proustian' tendency to meander all around his themes with just one more detail. And, after the recent tedious Elizabeth Hubert version this film is exemplary in its efficiency and that makes me wonder if any of the original reviewers ever did read the book. Of course, the ball sequence is without peer, an unyielding display of erotic romanticism and unabashed narcissism. Bravo Vincent, Brava Jennifer!
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