7.7/10
1,670
31 user 14 critic

Intruder in the Dust (1949)

Approved | | Crime , Drama | 20 March 1950 (UK)
In 1940s Mississippi, two teenage boys and an elderly woman combine forces to prevent a miscarriage of justice and clear a black man of a murder charge.

Director:

Clarence Brown

Writers:

William Faulkner (novel), Ben Maddow
Reviews

Watch Now

From $2.99 (SD) on Prime Video

Nominated for 2 Golden Globes. Another 2 wins & 6 nominations. See more awards »

Photos

Learn more

More Like This 

Roughshod (1949)
Certificate: Passed Action | Adventure | Drama
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Wrangler Clay Phillips and his younger brother Steve are taking horses to their ranch near Sonora when they come across four dance hall girls heading the same way with a wrecked buggy. One ... See full summary »

Director: Mark Robson
Stars: Robert Sterling, Gloria Grahame, Claude Jarman Jr.
Drama
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

An American, working for his oil company in China, disregards all but the company's interests. " The characters and the institution portrayed in the story are not actual but the product of ... See full summary »

Director: Mervyn LeRoy
Stars: Pat O'Brien, Josephine Hutchinson, Jean Muir
Desperate (1947)
Crime | Film-Noir | Thriller
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A young married couple flee both police and a gangster out for revenge.

Director: Anthony Mann
Stars: Steve Brodie, Audrey Long, Raymond Burr
Crime | Drama | Mystery
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

An African American officer investigates a murder in a racially charged situation in World War II.

Director: Norman Jewison
Stars: Howard E. Rollins Jr., Adolph Caesar, Art Evans
Angel Face (1953)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Ambulance driver Frank Jessup is ensnared in the schemes of the sensuous but dangerous Diane Tremayne.

Director: Otto Preminger
Stars: Robert Mitchum, Jean Simmons, Mona Freeman
The Locket (1946)
Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

Just before a wedding, the bridegroom hears a complex tale painting his lovely bride as devilish and unbalanced.

Director: John Brahm
Stars: Laraine Day, Robert Mitchum, Brian Aherne
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Abandoned by her fiancé, an educated black woman with a shocking past dedicates herself to helping a near bankrupt school for impoverished black youths.

Director: Oscar Micheaux
Stars: Evelyn Preer, Flo Clements, James D. Ruffin
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

The author of a controversially racy best-selling book tries to hide her celebrity status from her provincial small-town neighbors, who'd be scandalized if they knew.

Director: Richard Boleslawski
Stars: Irene Dunne, Melvyn Douglas, Thomas Mitchell
The Toy Wife (1938)
Certificate: Passed Drama | History | Romance
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

The beautiful and frivolous wife of a plantation owner in antebellum Louisiana proves unsatisfactory at running the household, leading her serious-minded husband to enlist the help of her unmarried sister.

Director: Richard Thorpe
Stars: Luise Rainer, Melvyn Douglas, Robert Young
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A New York socialite climbs the ladder of success man by man until a life among rich gangsters gives her what she thought she always wanted.

Director: Vincent Sherman
Stars: Joan Crawford, David Brian, Steve Cochran
Drama
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

Cliff Barton, an American business executive working in England, wants to marry European refugee Miriam Linka, but he is warned by his boss that such things just aren't done. Cliff digs in ... See full summary »

Director: Henry Koster
Stars: Robert Taylor, Elisabeth Müller, Burl Ives
Edit

Cast

Complete credited cast:
David Brian ... John Gavin Stevens
Claude Jarman Jr. ... Chick Mallison
Juano Hernandez ... Lucas Beauchamp
Porter Hall ... Nub Gowrie
Elizabeth Patterson ... Miss Eunice Habersham
Charles Kemper ... Crawford Gowrie
Will Geer ... Sheriff Hampton
David Clarke ... Vinson Gowrie
Elzie Emanuel ... Aleck
Lela Bliss Lela Bliss ... Mrs. Mallison
Harry Hayden ... Mr. Mallison
Harry Antrim Harry Antrim ... Mr. Tubbs
Edit

Storyline

Rural Mississippi in the 1940s: Lucas Beauchamp, a local black man with a reputation of not kowtowing to whites, is found standing over the body of a dead white man, holding a pistol that has recently been fired. Quickly arrested for murder and jailed, Beauchamp insists he's innocent and asks the town's most prominent lawyer, Gavin Stevens, to defend him, but Stevens refuses. When a local boy whom Beauchamp has helped in the past and who believes him to be innocent hears talk of a mob taking Beauchamp out of jail and lynching him, he pleads with Stevens to defend Beauchamp at trial and prove his innocence. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Certificate:

Approved | See all certifications »
Edit

Details

Country:

USA

Language:

English

Release Date:

20 March 1950 (UK) See more »

Also Known As:

L'intrus See more »

Filming Locations:

Oxford, Mississippi, USA

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
Edit

Did You Know?

Trivia

This was not Elizabeth Patterson's first foray into William Faulkner territory. She had previously appeared in The Story of Temple Drake (1933), adapted from his 1931 novel Sanctuary. See more »

Goofs

When Chick comes out of the water his hair is dry even though he had been completely under water. But, when he get to Lucas's cabin and takes off his wet clothes, his hair is wet. See more »

Quotes

Sheriff Hampton: What I want to know is what chick and his buddy would have done if there had been a body in that coffin?
Chick Mallison: I don't know. I hadn't thought about it.
Aleck: [Nervously] Uh, I did.
See more »

Connections

Featured in Rich Hall's the Dirty South (2010) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
The best Faulkner movie out there (of the many that I've seen)
20 January 2003 | by zetesSee all my reviews

This is easily the best cinematic version of William Faulkner's fiction that I've ever seen, and I've seen several of the most prominent ones. Filmed in Faulkner's hometown of Oxford, Mississippi, it really captures the feeling of Jefferson and Yoknapatawpha County. Intruder in the Dust is not one of Faulkner's best novel, but, even if it is a cliché to say this, it would be the crown jewel in any one else's career. It beats Harper Lee's good but simplistic To Kill a Mockingbird fifty feet into the ground (I read that one in ninth grade, and that's exactly where it belongs). Two of Faulkner's most prominent characters play major parts in the film, Gavin Stevens and Lucas Beauchamp. Stevens is probably the single most common character in all of Faulkner's fiction. He's a lawyer and he works easily as a narrator, because, unlike many of his other characters, Stevens is a man of logic, not emotion (at least when he's older). Lucas Beauchamp may be the most prominent of all of Faulkner's black characters (he plays a major part in one of Faulkner's out-and-out masterpieces, Go Down, Moses); unlike all of the other black folks in Yoknapatawpha, he refuses to bow down to any white man. He has pride, and many in the white population find that an execrable quality in a black man. One day, Lucas is found standing over a dead white man with a recently-fired pistol in his possession. Most of Jefferson and the surrounding areas don't see the need for a trial, and everyone's pretty sure that Beauchamp will be lynched before the evening's over, or at least the next day, as the murder and arrest occurred on a Sunday. Beauchamp, on the other hand, declares his innocence and tries to get Stevens to help him. Stevens refuses; the case seems open and shut. But his young nephew, Chick Mallison, because Lucas had helped him in the past, is willing to help him now.

As far as I know, no Hollywood film of this period deals with racism as overtly as this one. Hollywood films rarely persecute the black population, but instead prefer to relegate them to servant roles. If you're an African American actor, you might as well give up and accept that role as either the mammy, the maid, the servant, or the porter, because that's the only way you'll work. In Intruder in the Dust, there is to be found one of the most memorable non-porter roles a black actor ever had, Lucas Beauchamp. And Beauchamp, as I described above, is no stereotypical character, and might have been hard for audiences to accept. Even today, black characters are usually simple, magical, and kind. The recent arthouse hit Far from Heaven is a great example of that. Beauchamp is kind of a jerk, and he's very stubborn. Although he's perhaps a little less so here than he is in the novel, he's not any kind of stereotype. He's a complex human being. Juano Hernandez plays Beauchamp extraordinarily well. I haven't seen the film in a while, but he also appears in Robert Aldrich's 1955 film, Kiss Me Deadly, as well as the cinematic adaptation of Faulkner's final novel, The Reivers.

All the actors are great in the film. I should also praise quickly Claude Jarman Jr., who has the great role of Chick Mallison. The novel takes place from his point of view, and he is the conventional hero of the picture. Jarman is quite an actor; he captures the character (who also appears elsewhere in Faulkner's fiction, narrating, for example, events that happened a decade or more before he was born in the 1957 novel The Town) perfectly. He would appear in another great role the next year in the underrated John Ford film Rio Grande. The only other film of Clarence Brown's that I've seen is National Velvet, quite a different picture than Intruder in the Dust. His job here is exceptional; I really have to credit him with capturing Faulkner perfectly. Other famous Faulkner adaptations are too melodramatic (The Long Hot Summer, filmed in 1958, which I really like despite that) or too cold (Tomorrow, filmed in 1972, which I do not like; that coldness is a complete misunderstanding of Faulkner). The only other one that really does well according to its source material is Douglas Sirk's great 1958 filming of Pylon (really a different sort of Faulkner novel altogether), Tarnished Angels. 10/10.


47 of 53 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 31 user reviews »

Contribute to This Page



Recently Viewed