House of Strangers (1949)

After years in prison, Max promises revenge on his brothers for their betrayal. His lover Irene and memories of his past yield him a broader perspective.

Director:

Joseph L. Mankiewicz

Writers:

Philip Yordan (screenplay), Jerome Weidman (novel)

Stars:

Edward G. Robinson, Susan Hayward, Richard Conte

1 win & 1 nomination.

Cast

Complete credited cast:
Edward G. Robinson	...	Gino Monetti
Susan Hayward	...	Irene Bennett
Richard Conte	...	Max Monetti
Luther Adler	...	Joe Monetti
Paul Valentine	...	Pietro Monetti
Efrem Zimbalist Jr.	...	Tony Monetti
Debra Paget	...	Maria Domenico
Hope Emerson	...	Helena Domenico
Esther Minciotti	...	Theresa Monetti
Diana Douglas	...	Elaine Monetti
Tito Vuolo	...	Lucca

Storyline

In New York, after seven years in prison, the lawyer Max Monetti goes to the bank of his brothers Joe, Tony and Pietro Monetti and promises revenge to them. Then he visits his lover Irene Bennett that asks him to forget the past and start a new life. Max recalls the early 30s, when he is the favorite son of his father Gino Monetti, who has a bank in the East Side. Gino is a tyrannical and egocentric self-made man that raises his family in an environment of hatred and Max is a competent lawyer engaged with Maria Domenico. When Max meets the confident Irene, he has a troubled love affair with her. In 1933, with the new Banking Act reaches Gino for misapplication of funds. Max plots a plan to help his father but is betrayed by his brothers. Now Max will see his brothers that have also being raised under the motto "Never Forgive, Never Forget".

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Plot Keywords:

prison | bank | hatred | brother versus brother | kiss | 

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Taglines:

A powerhouse of emotion.

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Genres:

Crime | Drama | Film-Noir | Thriller

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Certificate:

Approved

Details

Country:

USA

Language:

English Italian

Release Date:

1 July 1949 (USA)

Also Known As:

East Side Story

Filming Locations:

Ocean Park, California, USA

Company Credits

Production Co:

Twentieth Century Fox

Technical Specs

Runtime:

101 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

"The Screen Guild Theater" broadcast a 60 minute radio adaptation of the movie on January 25, 1951 with Edward G. Robinson reprising his film role.

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Goofs

In flashbacks dating back to 1932, Irene wears hairstyles and clothing that are not significantly different from the fashionable look she sports during the 1939 framing story, 7 years later, and all of which are strictly in the significantly different mode of 1949, the year the film was made.

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Quotes

Helena Domenico: I'll have you know my husband died happy.
Gino Monetti: Your husband was happy to die, which is a different thing.

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Connections

Version of Broken Lance (1954)

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Soundtracks

Finale
(uncredited)
from The Razor's Edge (1946)
Music by Alfred Newman

User Reviews

A TRIUMVIRATE OF SUPERB ACTING

"House of Strangers" features three of my all-time favorite actors--Edward G. Robinson, Susan Hayward and Richard Conte--all at the very top of their form, as well as moody, almost noirish direction by the great Joseph L. Mankiewicz, in moody black and white. Those ingredients alone should indicate that a fine work is in store for the viewer, and such, happily, is the case here. The tale is told mainly in flashback, in which we learn how the four sons of Lower East Side banker Edward G. became enemies after their Pop got into some legal trouble. Susan Hayward, never more beautiful, plays a high-class dame who becomes involved with lawyer Conte, despite Conte's engagement to a proper Italian girl from "the old country." The relationship between Hayward and Conte is very adult for the restrictive late '40s. By the film's end, we really come to care about these two and hope that they can survive as a couple. As usual, Edward G. gives a bravura performance, this time as the domineering patriarch of his Italian clan. I believe his performance received a well-deserved award at Cannes that year. Conte and Hayward, both of whose careers are ripe for reevaluation and rediscovery, match him every step of the way. Luther Adler is fine also, in his role as Conte's elder brother, who feels he never got the respect he deserved. Deborah Paget, in one of her earliest parts, looks fine in a decorative role. For me, though, the main lure of this picture is the triumvirate of superb acting by the three leads. What a pleasure it is to watch these three great talents do justice to the well-written script here. I just love this movie, and suspect that a real treat is in store for the first-time viewer. Check it out, by all means!