7.4/10
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48 user 16 critic

House of Strangers (1949)

Approved | | Crime, Drama, Film-Noir | 1 July 1949 (USA)
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After years in prison, Max promises revenge on his brothers for their betrayal. His lover Irene and memories of his past yield him a broader perspective.

Writers:

Philip Yordan (screenplay), Jerome Weidman (novel)
Reviews
1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
Edward G. Robinson ... Gino Monetti
Susan Hayward ... Irene Bennett
Richard Conte ... Max Monetti
Luther Adler ... Joe Monetti
Paul Valentine ... Pietro Monetti
Efrem Zimbalist Jr. ... Tony Monetti
Debra Paget ... Maria Domenico
Hope Emerson ... Helena Domenico
Esther Minciotti Esther Minciotti ... Theresa Monetti
Diana Douglas ... Elaine Monetti
Tito Vuolo ... Lucca
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Storyline

In New York, after seven years in prison, the lawyer Max Monetti goes to the bank of his brothers Joe, Tony and Pietro Monetti and promises revenge to them. Then he visits his lover Irene Bennett that asks him to forget the past and start a new life. Max recalls the early 30s, when he is the favorite son of his father Gino Monetti, who has a bank in the East Side. Gino is a tyrannical and egocentric self-made man that raises his family in an environment of hatred and Max is a competent lawyer engaged with Maria Domenico. When Max meets the confident Irene, he has a troubled love affair with her. In 1933, with the new Banking Act reaches Gino for misapplication of funds. Max plots a plan to help his father but is betrayed by his brothers. Now Max will see his brothers that have also being raised under the motto "Never Forgive, Never Forget". Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

A powerhouse of emotion.


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English | Italian

Release Date:

1 July 1949 (USA) See more »

Also Known As:

East Side Story See more »

Filming Locations:

Ocean Park, California, USA See more »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The first of three movies written by screenwriter Philip Yordan, based on the novel, "I'll Never Go Home Again," by Jerome Weidman. The other two were Broken Lance (1954), with Spencer Tracy (for which Yordan won an Oscar for Best Story), and The Big Show (1961) with Esther Williams and Cliff Robertson. See more »

Goofs

At 2:00, Max approaches the front door of the Monetti Trust and Loan building. A young woman wearing a beret and a vertically-striped jacket steps out of the door, makes a right turn (from Max's perspective), and continues to walk until she disappears into the right side of the frame. 15 seconds later, the same woman is seen walking in front of the same building--again from Max's left to to his right--as if she had never been inside. See more »

Quotes

Helena Domenico: I'll have you know my husband died happy.
Gino Monetti: Your husband was happy to die, which is a different thing.
See more »

Connections

Version of Broken Lance (1954) See more »

Soundtracks

Honey
(uncredited)
Music by Richard A. Whiting
Played as dance music at Club Gala
See more »

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User Reviews

 
A great 1949 drama
28 March 2007 | by AlanSquierSee all my reviews

This masterful adaptation of Jerome Weidman's novel stars Edward G. Robinson (arguably his best performance) as an Italian immigrant turned successful and wealthy banker. His hard-nosed attitude alienates three of his sons (portrayed by Efrem Zimbalist Jr., Paul Valentine and the always superb Luther Adler). His fourth son (the film noir regular, Richard Conte) however worships the ground his dad walks on. This doesn't go over so well with his brothers.

Although billed as a film noir, the film is as much a family drama as a thriller - and an extremely good one. Excellent screenplay by Philip Yordan. Robinson won the best actor award at the Cannes Film Festival for his performance.


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