A woman secretly suffering from kleptomania is hypnotized in an effort to cure her condition. Soon afterwards, she is found at the scene of a murder with no memory of how she got there and seemingly no way to prove her innocence.
In New York, after seven years in prison, the lawyer Max Monetti goes to the bank of his brothers Joe, Tony and Pietro Monetti and promises revenge to them. Then he visits his lover Irene Bennett that asks him to forget the past and start a new life. Max recalls the early 30s, when he is the favorite son of his father Gino Monetti, who has a bank in the East Side. Gino is a tyrannical and egocentric self-made man that raises his family in an environment of hatred and Max is a competent lawyer engaged with Maria Domenico. When Max meets the confident Irene, he has a troubled love affair with her. In 1933, with the new Banking Act reaches Gino for misapplication of funds. Max plots a plan to help his father but is betrayed by his brothers. Now Max will see his brothers that have also being raised under the motto "Never Forgive, Never Forget".Written by
Claudio Carvalho, Rio de Janeiro, Brazil
"The Screen Guild Theater" broadcast a 60 minute radio adaptation of the movie on January 25, 1951 with Edward G. Robinson reprising his film role. See more »
At 2:00, Max approaches the front door of the Monetti Trust and Loan building. A young woman wearing a beret and a vertically-striped jacket steps out of the door, makes a right turn (from Max's perspective), and continues to walk until she disappears into the right side of the frame. 15 seconds later, the same woman is seen walking in front of the same building--again from Max's left to to his right--as if she had never been inside. See more »
I just bought this and was looking forward to watching as I like all the main actors and am a film noir fan. This title is being marketed as a film noir - it's a good movie - but it definitely isn't a noir. I certainly don't stick to the narrow definition of a noir either.
I won't bother to write a whole synopsis since that has been covered by earlier posts. Edward G Robinson never disappoints (even though he does kind of sound like Chico Marx in this) and Richard Conte is great. I hadn't seen Luther Adler in anything before but he was perfect in the role of the scorned older brother.
Like I said it is a good movie...just don't expect a noir.
10 of 13 people found this review helpful.
Was this review helpful to you?
| Report this