A movie director is approached by his old math teacher with a great movie idea: the Devil declares that the Earth is hell. The director rejects the idea, but subsequent events in the life ...
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In Sweden, the upper-class pianist Bengt Vyldeke suffers an accident in the military drill and becomes blind. He returns to the house of his aunt Beatrice Schröder and is initially ... See full summary »
Sailor Johannes Blom returns to his home port, after seven years at sea, to find that Sally, the girl he has been thinking of while away, is completely despondent. Seven years earlier, ... See full summary »
Maggi meets David after having missed her train, and they spend the night together. Penniless, the young lovers break into a summer cottage. The owner, Håkansson, offers to rent it to them,... See full summary »
In Stockholm, the fashion photographer Susanne Frank misses her married lover Henrik Lobelius that lives in Gothenburg with his wife and children, and the naive twenty years old model Doris... See full summary »
After 15 years of marriage, David and Marianne have grown apart. David has had an affair with a patient of his and Marianne has got herself involved with her former lover Carl-Adam, who's ... See full summary »
A movie director is approached by his old math teacher with a great movie idea: the Devil declares that the Earth is hell. The director rejects the idea, but subsequent events in the life of a writer, a friend of the director's, and a young prostitute he loves seem to prove the math teacher's idea.Written by
Erik Gregersen <email@example.com>
There are no opening titles in this film. An unseen narrator (Hasse Ekman) reads the credits, as well as the title, out loud approximately ten minutes in to the movie. The sole title card is the standard "Slut" (Swedish for "End") that closes the picture. See more »
An ex Maths teacher announces he's just been released from a lunatic asylum (as you do) to some people making a film. (He used to teach one of them). He says that he has ideas about the Devil. The filmmakers try to adapt those ideas into a screenplay. Apparently they reject those ideas -after making them - for this film presumably.
The meandering narrative seems to explore scenarios that surround some pretty miserable and uninteresting people. I think I read that it's Bergman's first film to look solely at mild horror and the place of the Devil, both in philosophy, film and in folklore. Suicide, alcoholism, prostitution, even drowning babies born to the under-aged get limp, clumsy and unconvincing treatment.
It's pretty impossible to follow and no doubt spoilt by knowing what gems came later from the Master of Darkness.
Best thing to come out of it was a line that I've slightly altered - "Life Itself is a terminal illness "
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