Railroad owner Dagny Taggart and steel mogul Henry Rearden search desperately for the inventor of a revolutionary motor as the U.S. government continues to spread its control over the national economy.
The story revolves around three people; Tycoon Bjorn Faulkner, who is being called upon by his board of directors to explain a missing $20,000,000; Kit Lane, his secretary who also has a ... See full summary »
Kay Gonda--the greatest movie star and celebrity of the 1930s--is accused of murder. On the run from the police, she seeks refuge at the homes of her most passionate fans--six men who have ... See full summary »
The time is the Russian Revolution. The place is a country burdened with fear - the midnight knock at the door, the bread hidden against famine, the haunted eyes of the fleeing, the ... See full summary »
Individualistic and idealistic architect Howard Roark is expelled from college because his designs fail to fit with existing architectural thinking. He seems unemployable but finally lands a job with like-minded Henry Cameron, however within a few years Cameron drinks himself to death, warning Roark that the same fate awaits unless he compromises his ideals. Roark is determined to retain his artistic integrity at all costs.Written by
Col Needham <firstname.lastname@example.org>
The film's failure was largely attributed to Gary Cooper, who at 47 was much older than his twenty-something character and was considered by many critics to be unconvincing playing a man with high ideals. See more »
Howard shatters Dominique's slightly damaged fireplace slab with a chisel and says, "Now it's broken and has to be replaced." When Dominique asks Howard if he can replace it, the next shot of Howard shows him kneeling in front of the not-yet shattered marble slab. See more »
I'll marry you. Don't you want to ask me any questions?
Thank you. You're making it easier for me.
Whatever your reason, I shall accept it. What I want to find in our marriage will remain my own concern. I exact no promises and impose no obligations. Incidentally, since it is of no importance to you, I love you.
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A classic! One of Cooper's and Neal's finest films!
This film doesn't always get the attention it deserves, but this sticks in my mind as one of Hollywood's greatest films of the 1940's. Based on Ayn Rand's popular novel, THE FOUNTAINHEAD unites two of Hollywood's most legendary stars, Gary Cooper and Patricia Neal doing some of their finest work ever. Though many people who have seen this film claim that Cooper was miscast, he still gives a memorable performance and makes a strong impression. Cooper plays a gifted architect whose fierce individualism nearly ruins his career. Patricia Neal is an equally headstrong critic whose interest in Cooper goes beyond his work. Neal is a perfect match for the tough, will-of-iron Cooper. In fact, the chemistry between these two is amazing. Though their intimate moments are fairly tame by today's standards, Cooper and Neal ignite fire in their love-making scenes. It's not surprising that their on-screen romance carried over into real life. My favorite scene is where an infuriated Neal rides up on horseback and thrashes her whip across Cooper's face when he rejects her not-so subtle invitation up to her bedroom. This scene could have easily turned campy, but King Vidor is such a skilled director, and Cooper and Neal are such distinguished and professional actors that the scene comes off in a rather smooth and serious fashion.
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