The story, told in eight episodes, covers different facets of the American Spirit, from racial and religious tolerance to the dangers of self-centeredness and myopic reasoning. The parables... See full summary »
A former reporter comes back home after serving in the army during World War I and finds that it's much more difficult to find work than he expected. Desperate, one day he crashes a wedding... See full summary »
British officer is assigned to duty in Ireland and gets embroiled in Anglo-Irish battles and old girl friend who is now married to an Irishman. Powell learns more than he wanted to know ... See full summary »
In flashback from a 'Rebecca'-style beginning: Ellen Foster, visiting her aunt on the California coast, meets neighbor Jeff Cohalan and his ultramodern clifftop house. Ellen is strongly ... See full summary »
Conceited film star Emery Slade was on top in 1932; in 1949, he's broke and still insufferable. Fox producer Crossman enlists Slade's aid to persuade broadway star Rosalie Brooks to star in the film "Bandwagon." But when Slade meets Julie Clarke, his assistant's onetime girlfriend, he decides she, not Rosalie, should get the part. No one can fathom his motives for this apparently selfless act, but there are a few tricks in the old fox yet...and he'll need them all.Written by
Rod Crawford <email@example.com>
You! You! Just who do you think you are?
I know who I am, Mrs. Schlaghammer. What's more, I know who my father was. And that, around here, is a unique distinction.
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A forerunner of "The Band Wagon", "Dancing In The Dark" is a flop. It is strictly for die-hard Wm. Powell fans, for whom their idol can do no wrong. This potboiler of a picture does a lot of wrong, however, and lacks the charm and vitality of its descendant.
Sorely missed is the terrific score of Schwartz & Dietz and the songs that are included are mishandled. The storyline plods along as though the screenwriters struggled to stay awake. The picture is further sabotaged by the boy/girl leads, who are 'B' actors and lack charisma and glamor. Mark Stevens is colorless and Betsy Drake is a wallflower and detract from the overall effectiveness of the story.
The only reason to watch it is for the always dapper and magnetic William Powell who carries the film, such as it is, and does the best he can in a thankless part. Adolph Menjou, Walter Catlett and other veteran character actors are on hand to lend whatever help they can give but the cause is a lost one.
This is a picture to watch if you are sick in bed. Put the remote on top of the TV, and you will feel so much better when you get up to change the channel.
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