Beyond the Forest (1949)

Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she ... See full summary »

Director:

King Vidor

Writers:

Lenore J. Coffee, Stuart Engstrand (novel)

Stars:

Bette Davis, Joseph Cotten, David Brian

Nominated for 1 Oscar.

Cast

Complete credited cast:
Bette Davis	...	Rosa Moline
Joseph Cotten	...	Doctor Louis Moline
David Brian	...	Neil Latimer
Ruth Roman	...	Carol Lawson
Minor Watson	...	Moose Lawson
Dona Drake	...	Jenny
Regis Toomey	...	Sorren
Sarah Selby	...	Mildred Sorren

Storyline

Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she can visit Chicago; her husband's patience is also tried: he tells her to go and never come back. Once there, Neil tells her he doesn't want her. Back home and pregnant, Neil shows up and now wants her. The caretaker at Neil's lodge threatens to reveal her pregnancy...

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Plot Keywords:

pregnant | small town | pregnancy | murder of an unborn child | famous line | 

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Taglines:

She's a midnight gal in a nine o'clock town.

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Genres:

Drama | Film-Noir | Romance | Thriller

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

21 October 1949 (USA)

Also Known As:

Rosa Moline

Filming Locations:

Chicago, Illinois, USA

Box Office

Gross USA:

$1,300,000, 31 December 1949

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

97 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Bette Davis was so unhappy about making this movie that she told Jack Warner: "If you want me to finish the film,let me out of my contract". Warner was only too happy to accept, because Davis was his highest-paid star and her last few movies had been unsuccessful.

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Goofs

Near the end, as Rosa prepares to catch the Chicago train, the camera dollies backwards, away from her, and as it does, the equipment bangs into her closet door, causing the clothes hanging on it to sway back-and-forth.

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Quotes

Rosa Moline: [Walking mindlessly in the rain without an umbrella] I told him all right. I walked out on him. Him and his millions. Any other woman would have taken the money. But I'm not just any woman. I'm Rosa Moline!

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Crazy Credits

The film begins after the opening credits with this warning title: This is the story of evil. Evil is headstrong - is puffed up. For our souls sake, it is salutory for us to view it in all it's ugly nakedness once in a while. Thus may we know how those who deliver themselves over to it end up like the scorpion, in a mad frenzy stinging themselves to eternal death.

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Connections

Referenced in Tamara Drewe (2010)

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Soundtracks

For He's a Jolly Good Fellow
18th Century Folk Song

User Reviews

Beyond what 'Forest'? Wisconsin...?

Notorious Bette Davis...acting against her will in an unsuitable part, although it's a performance many of her fans relish. Davis is about 5-to-10 years too old for role of Rosa Moline, wife of a well-meaning-but-penniless doctor, residing in a small Wisconsin town with starry-eyed dreams of living in Chicago; Rosa's secret lover, a corporate businessman from the Windy City, keeps reeling her in and throwing her back, while the good doctor takes her antics in stride. Screenwriter Lenore Coffee, working from a book by Stuart Engstrand, can't seem to iron out the character eccentricities or dramatic indignities inherent to the plot (she can't even use the novel's title to her advantage), leaving director King Vidor and his cast pretty much on their own. When Rosa gets sick at the finale, we have no idea why; when the lazy, foul-tempered maid sasses her, we have no clue why Rosa even puts up with her (or how the doctor affords her). Vidor directs Davis gently, casually--and of course she brings everything else from home: poison-coated coyness, lewd lips, flip talk, ridiculously playing with her long brunette wig as if she owned it. So, is this respectable work from Bette Davis, in her last film under contract for Warner Bros.? It is a stunning performance for both right and wrong reasons. True, Bette's Rosa is too heavy and shapeless to actually believe she's a grande dame in her horse-and-buggy town (maybe a blonde wig would've helped?); however, Davis is very good in her scenes with Joseph Cotten, and she doesn't go maniacal with the material. The film has been called camp, unintentionally hilarious--and at times it does strike a wild chord--but I think King Vidor was in on the dirty humor. His outlandishness doesn't qualify the film as a success necessarily, but it is certainly enjoyable. **1/2 from ****