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Beyond the Forest (1949)

Approved | | Drama, Film-Noir, Romance | 21 October 1949 (USA)
Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she ... See full summary »

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Nominated for 1 Oscar. See more awards »

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Cast

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Sorren
Sarah Selby ...
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Storyline

Rosa Moline is bored with life in a small town. She loves Chicago industrialist Neil Latimer who has a hunting lodge nearby. Rosa squeezes her husband's patients to pay their bills so she can visit Chicago; her husband's patience is also tried: he tells her to go and never come back. Once there, Neil tells her he doesn't want her. Back home and pregnant, Neil shows up and now wants her. The caretaker at Neil's lodge threatens to reveal her pregnancy... Written by Ed Stephan <stephan@cc.wwu.edu>

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Taglines:

She's a midnight gal in a nine o'clock town. See more »


Certificate:

Approved | See all certifications »
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Details

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Release Date:

21 October 1949 (USA)  »

Also Known As:

Rosa Moline  »

Filming Locations:

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Box Office

Gross USA:

$1,300,000, 31 December 1949
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Bette Davis was so unhappy about making this movie that she told Jack Warner: "If you want me to finish the film,let me out of my contract". Warner was only too happy to accept, because Davis was his highest-paid star and her last few movies had been unsuccessful. See more »

Goofs

Prior to visiting lawyer's office, Rosa wipes off all her make-up, then is seen wearing bright lipstick during a close-up in waiting room, which immediately disappears for rest of scene. See more »

Quotes

Rosa Moline: [to Louis, while sick in bed] You did this to me. I know you did. You're trying to punish me for all the things I've done. I'm gonna fool you. I'm gonna live!
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Crazy Credits

The film begins after the opening credits with this warning title: This is the story of evil. Evil is headstrong - is puffed up. For our souls sake, it is salutory for us to view it in all it's ugly nakedness once in a while. Thus may we know how those who deliver themselves over to it end up like the scorpion, in a mad frenzy stinging themselves to eternal death. See more »

Connections

Referenced in Jeopardy!: Episode #22.82 (2006) See more »

Soundtracks

For He's a Jolly Good Fellow
18th Century Folk Song
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User Reviews

 
Bette Davis' most underrated film
12 June 2016 | by See all my reviews

Bette Davis gave many great performances, but she did not make many great films or work with many truly great directors (with the exception of William Wyler & Joseph L. Mankiewicz). King Vidor ranks as one of Bette Davis' greatest directors and Beyond the Forest is her most underrated film (another underrated film is The Private Lives of Elizabeth & Essex, directed by the superb technician Michael Curtiz). The eminent film critic Pauline Kael wrote that "there's not a sane dull scene in this peerless piece of camp." And I agree that this film is never boring. It has elements of film noir, melodrama, comedy and stands the test of time, as it is not sentimental like so many of Bette's soap operas (The Great Lie is a great bore). I challenge anyone to watch this film and be bored by it. Impossible. It starts off slowly, but after the first 20 minutes, it is compulsively watchable: a hoot! And although Bette in her later years said she "loathed" this film, it is clear that she relished the part of Rosa Moline and was living the part as she played it. She poured into the part all of the frustration & fury with Jack Warner and the studio for giving her bad roles & bad scripts, her own fears of aging after she had her baby and she was no longer box office, and all the emotional turmoil (both the sexual electricity & the physical & verbal abuse) of her marriage to William Grant Sherry. Ruth Roman (who played a small role in this film) said that she watched Bette on set and it was all too REAL for her that she was terrified of Bette. And indeed, this is one of Bette's most real performances, however over the top it may be. Rosa Moline is a precursor to Margo Channing in All About Eve, yet I find Beyond the Forest more interesting because King Vidor is more of a stylist than Joseph L. Mankiewicz. All About Eve is theatrical, not cinematic; Beyond the Forest is pure cinema. Savor every frame of this fading femme fatale in this film noir farce. You will laugh at Rosa, be moved by her, feel sorry for her, but ultimately admire her for her courage, pride & determination. She was just a dame who was trying to get out of her own personal prison & hell.


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