Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who ... See full summary »
Josh and Dinah Barkley are a successful (though argumentative) musical-comedy team, yet Dinah chafes as Galatea to her husband's Pygmalion. When serious playwright Jacques Barredout envisions her as a great dramatic actress, Dinah is not hard to persuade.Written by
Diana Hamilton <firstname.lastname@example.org>
The "Shoes With Wings On" number could not have been presented on a stage. The dancers controlling the shoes would have been visible. The "invisible" dancers could only be done with optical effects. Notice that you cannot see the inside of the shoes. See more »
THE BARKLEYS OF Broadway was originally written to reunite Fred Astaire and Judy Garland after their smash hit EASTER PARADE; however, Judy was having a lot of health problems at the time and was unable to do the film, which paved the way for Ginger Rogers to reunite with her former film partner for the first time in ten years and for the first time in color. Sadly, this would also be their last film together but it is quite the send off for these dancing legends. The film, written by Betty Comden and Aldoph Green (SINGIN IN THE RAIN)follows a Broadway song and dance team named Josh and Dinah Barkley, who are at the peak of their careers, but Dinah feels like she's suffocating from Josh's Svengali-like grip on her career and decides she wants to become a serious actress. Of course, this story does parallel what happened with Astaire and Rogers ten years earlier when Rogers yearned to become a dramatic actress and actually won an Oscar the following year for KITTY FOYLE. The road to their inevitable reunion is predictable (and as for Ginger's interpretation of some French play, the less said the better)but the team;s dancing is still spectacular even after ten years away from each other. Their comic duet in Scottish kilts "Me One and Only Highland Fling" is a delight and Fred's solo "Shoes with Wings On" is brilliant, even though realistically, this number would be physically impossible to do in a theater as it is presented here, but I digress. And their final dance to "They Can't Take That Away From Me" is one of the loveliest pas de deuxs ever filmed. Not up to par with SINGIN IN THE RAIN or THE BAND WAGON, but classy entertainment with that beloved MGM gloss.
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