Jack Burden is a newspaper reporter who first hears of Willie Stark when his editor sends him to Kanoma County to cover the man. What's special about this nobody running for county treasurer? He's supposedly an honest man. Burden discovers this to be true when he sees Stark delivering a speech and having his son pass out handbills, while the local politicians do their best to intimidate him. Willie Stark is honest and brave. He's also a know-nothing hick whose schoolteacher wife has given him what little education he has. Stark loses the race for treasurer, but later makes his way through law school, becoming an idealistic attorney who fights for what is good. Someone in the governor's employ remembers Stark when the governor needs a patsy to run against him and split the vote of his rival. The fat cats underestimate Stark; but Jack Burden, Stark's biggest supporter, overestimates the man's idealism. To get where he wants to go, Willie Stark is willing to crack a few eggs - which ...Written by
Won the Directors Guild of America (DGA) Award for Outstanding Directorial Achievement in Motion Pictures in 1950. The previous year's ceremony in 1949 was the the very first in the Guild's history. For the 1949 awards, the DGA had used a non-calendar year honoring films released in both 1948 and early 1949, unlike the Academy Awards. Both the 1949 and 1950 DGA winners, A Letter to Three Wives (1949) and All the King's Men (1949) respectively, competed for the 1950 Academy Award for Best Director, which was awarded to Joseph L. Mankiewicz for A Letter to Three Wives, the 1949 DGA winner. This explains why the heavily favored Robert Rossen did not win for directing All the King's Men at the Oscars, however the film was awarded Best Picture. See more »
In the locker room scene, the towel draped over Tom's shoulders keeps changing positions. See more »
I'm going to run. You can't stop me. I'm going to run even if I don't get a single vote!
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I viewed this film for the first time this past week. It was one of only a few "Best Picture" Oscar winners over the past fifty or sixty years that I had not previously seen. I have found most, but not all, of these films to be absorbing and/or entertaining with the majority deserving of the awards they received. I included this specific film in a personal test that I conducted recently. I initially viewed the current version of this film, which features an impressive cast headed up by Sean Penn, Jude Law, Kate Winslet and Anthony Hopkins. Then I rented this 1949 award winner to compare both versions.
I am aware that when you first see a film or program that you find to be an excellent presentation and then you view a newer version of the same entity, the normal tendency is to find the new version not up to the standards of the original due to the unfairly high expectations. For the test conducted, I switched viewing order of the two versions. I anticipated finding the newer version more rewarding due to the more than half century difference in the two presentations and the fact that Sean Penn and Anthony Hopkins have each artistically created several roles which I have found to be top of the line performances. It did not work out that way in this case. I found the 1949 version withstood the test of time and in my opinion was the superior production. This had to do with several factors, the primary one being that the screen play of the older version seemed to be better paced and the presentation flowed more evenly. I believe this version more closely followed the novel and the depiction of the central character "Willie Stark". The novel loosely based this character on real life Louisiana politician "Huey Long". I concluded that the newer version tried to capture more of Longs' character along with his political successes and failures. In doing so it lost some of the novels flow and impact.
Both versions have excellent casts and the performances given by both Sean Penn and Broderick Crawford (Oscar winning) as Willie Stark are first rate. I consider this version to be a top 25 all time political drama and gave it an 8 out of 10 IMDb rating, but I would recommend both versions for fans of semi-biographical political dramas.
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