A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
Journalist Steve O'Malley wants to write a biography of a national hero who died when his car ran off a bridge. Steve receives conflicting reports and tales that make him question what the truth about the hero is.
When a woman attempts to kill her uncaring husband, prosecutor Adam Bonner gets the case. Unfortunately for him his wife Amanda (who happens to be a lawyer too) decides to defend the woman in court. Amanda uses everything she can to win the case and Adam gets mad about it. As a result, their perfect marriage is disturbed by everyday quarrels...Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
In the memorable Spencer Tracy-Katharine Hepburn massage scene, a radio plays Frank Sinatra singing Cole Porter's "Farewell, Amanda," a gift to Amanda Bonner (played by Hepburn) from her songwriter-neighbor, Kip Lurie (played by David Wayne) who, earlier in the picture, had crooned the ditty, accompanying himself on the Bonners' piano. While Adam Bonner (played by Tracy) is massaging his wife, he abruptly shuts off the radio. Sinatra is again heard when a record is accidentally started in a later scene. This prerecording of "Farewell, Amanda" is lost. See more »
As Doris is waiting for her husband to come out of work, she drops the newspaper she is holding. In front shots she still holds it. In side and rear shots she isn't. See more »
"Adam's Rib", directed by George Cukor, and with a screenplay by Ruth Ford and Garson Kanin, was one of the happiest films the two stars did together. Mr. Cukor knew how to direct this couple, and it shows. There are no false moments in a movie.
The rivalry between Adam Bonner and Amanda, his wife, comes to a head as they both get involved in a criminal case. Adam, as an Assistant D.A. is assigned to it. Amanda, as a successful trial lawyer, decides to get involved in it because she believes Doris Attinger acted in a moment of madness.
This film was ahead of its time because Amanda questions the right of a woman to be judged the same way as a man, something the penal system seemed to ignore. Doris Attinger is a woman that has had enough with the philandering husband that appears to have fallen out of love with her. Warren Attinger doesn't care who he hurts, until Doris decides to take the matter into her own hands.
Katherine Hepburn shows an impeccable delivery as Amanda Bonner. She has an inner beauty that shines and make her glow. Ms. Hepburn was at the top of her career just about then and it shows. Spencer Tracy is Ms. Hepburn's match as the D.A. prosecuting the case. Mr. Tracy is delightful to watch in their scenes together. He has such a mischievous presence that endeared him to us in anything he played.
The revelation in this film was Judy Holliday. As Doris, the accused woman, she shows talent beyond imagination. In a way, it is sad to realize this amazing actress didn't live to make it even bigger in the movies. She was a natural and she is a joy to watch in the film. Lucky are we to be able to see her best work preserved for posterity.
In minor roles David Wayne plays Kip Lurie, a Broadway composer. He is an annoying neighbor who admires Amanda, much to Adam's chagrin. Kip has written a song that becomes popular, "Dear Amanda", that is heard throughout the movie. Also, in the cast Jean Hagen, Eve March, and Hope Emerson who are effective in their roles.
Thanks to George Cukor, Ruth Ford and Garson Kanin for bringing this enjoyable comedy to the screen. Above all, thanks to Spencer Tracy and Katherine Hepburn for playing the Bonners.
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