Adam's Rib (1949)

Domestic and professional tensions mount when a husband and wife work as opposing lawyers in a case involving a woman who shot her husband.

Director:

George Cukor

Writers:

Ruth Gordon (screen play), Garson Kanin (screen play)

Stars:

Spencer Tracy, Katharine Hepburn, Judy Holliday

Nominated for 1 Oscar. Another 1 win & 3 nominations.

Cast

Complete credited cast:
Spencer Tracy	...	Adam Bonner
Katharine Hepburn	...	Amanda Bonner
Judy Holliday	...	Doris Attinger
Tom Ewell	...	Warren Attinger
David Wayne	...	Kip Lurie
Jean Hagen	...	Beryl Caighn
Hope Emerson	...	Olympia La Pere
Eve March	...	Grace
Clarence Kolb	...	Judge Reiser
Emerson Treacy	...	Jules Frikke
Polly Moran	...	Mrs. McGrath
Will Wright	...	Judge Marcasson
Elizabeth Flournoy	...	Dr. Margaret Brodeigh

Storyline

When a woman attempts to kill her uncaring husband, prosecutor Adam Bonner gets the case. Unfortunately for him his wife Amanda (who happens to be a lawyer too) decides to defend the woman in court. Amanda uses everything she can to win the case and Adam gets mad about it. As a result, their perfect marriage is disturbed by everyday quarrels...

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Plot Keywords:

husband wife relationship | battle of the sexes | national film registry | lawyer | canoe | 

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Taglines:

Funniest Picture in 10 Years!

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Genres:

Comedy | Drama | Romance

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

18 November 1949 (USA)

Also Known As:

Man and Wife

Filming Locations:

Newtown, Connecticut, USA

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

101 min

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Shooting in New York meant that Judy Holliday could continue appearing on Broadway in "Born Yesterday". At times she had to work a 20-hour day to honour her commitments to both projects. When production moved back to Hollywood, however, she had to arrange an early release from her Broadway contract.

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Goofs

When Adam confronts Amanda and Kip in his apartment with the licorice gun, the handkerchief in his suit pocket keeps changing lengths between shots.

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Quotes

Amanda Bonner: Now, you look here, Kip. I'm fighting my prejudices, but it's clear that you're behaving like a, like a - well, I'd hate to put it this way - like a *man*.
Kip Lurie: You watch your language.

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Crazy Credits

Opening credits are little curtains that go up and down, on a stage in a performance hall.

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Alternate Versions

Also available in a computer colorized version.

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Connections

Featured in The Spencer Tracy Legacy: A Tribute by Katharine Hepburn (1986)

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Soundtracks

Mrs. Marcasson
(uncredited)
Music by Harold Gelman

User Reviews

Pleasant mid century skirmish in the sexual wars

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

Two New York lawyers, husband Adam Bonner (Spencer Tracy) and wife Amanda Bonner (Katharine Hepburn), work out the marital tension and fight the sexual wars in the courtroom on opposite sides of a wife (Judy Holliday) shoots cheating husband (Tom Ewell) case. Adam's masculinity is seemingly challenged and his sense of justice offended by his wife's insistence on showing how smart she is while furthering her feminist agenda at the expense of the law. Will their public confrontation destroy their marriage, or will it ultimately make the bond stronger?

This still plays mainly because of the charisma of Hepburn and Tracy and the fine chemistry they create together. The script by Garson Kanin and Ruth Gordon is shallow and profound by turns, yet ultimately witty and pleasing. Judy Holliday as the lower middle-class Doris Attinger (on her way to her signature role in Born Yesterday (1950)) and David Wayne, as the song-writing neighbor who adores Amanda, shine in supporting roles. George Cukor's direction is clear, crisp and always focused. In the end we can see that Adam can be as feminine as Amanda can be masculine. The bit where Tracy cries real tears to win her back and then tells her, "We all have our tricks" is classic. It's his clever answer to her outrageous courtroom theatrics. Memorable as it illuminates their contrasting personalities is the early scene where the unsophisticated Doris is interviewed by Yale law school grad Amanda.

As a political movie, was Adam's Rib ahead of its time as a vehicle for feminist expression, or was it just another apology for male chauvinism, or was it balanced and fair? I'll give you a hint: the title is ironic. One of the things that made the Tracy/Hepburn romance work so well for so long was the creative balance they maintained in the battle of the sexes. The script by Kanin and Gordon carefully continues that profoundly true equilibrium.