Yellow Sky (1948)

A pistol-packing tomboy and her grandfather discover a band of bank robbing bandits taking refuge in the neighboring ghost town.

Director:

William A. Wellman

Writers:

Lamar Trotti (screenplay), W.R. Burnett (story)

Stars:

Gregory Peck, Anne Baxter, Richard Widmark

2 wins.

Cast

Complete credited cast:
Gregory Peck	...	James 'Stretch' Dawson
Anne Baxter	...	Constance Mae 'Mike'
Richard Widmark	...	Dude
Robert Arthur	...	Bull Run
John Russell	...	Lengthy
Harry Morgan	...	Half Pint (as Henry Morgan)
James Barton	...	Grandpa
Charles Kemper	...	Walrus

Storyline

A band of bank robbers on the run from a posse flee into the desert. Near death from lack of water they stumble into what appears to be a ghost town, only to discover an old prospector and his granddaughter living there. The robbers discover that the old man has been mining gold and set out to make a quick fortune by robbing the pair. Their plan runs foul when the gang leader, Stretch, falls for the granddaughter, which sets off a showdown between the entire gang.

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Plot Keywords:

arizona desert | arizona territory | territory | apache indian | apache territory | 

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Taglines:

1949's Top Dramatic Success!

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Genres:

Crime | Western

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Certificate:

Approved

Details

Country:

USA

Language:

English

Release Date:

January 1949 (USA)

Also Known As:

Herrin der toten Stadt

Filming Locations:

Alabama Hills, Lone Pine, California, USA

Box Office

Gross USA:

$5,600,000, 31 December 1948

Company Credits

Production Co:

Twentieth Century Fox

Technical Specs

Runtime:

98 min 95 min (FMC Library Print)

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Shakespeare's play "The Tempest" influenced the plot and characters. Director William Wellman said in the book, "The Men Who Made the Movies", that he had no idea of the connection.

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Goofs

When Lengthy enters the saloon to confront Richard Widmark, he takes his cowboy boots off outside the saloon and then enters. As he is dying he can be seen wearing his boots.....

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Quotes

Walrus: We're sure gonna be mighty rich corpses.

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Crazy Credits

Opening credits prologue: The West - 1867

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Connections

Version of The Tempest (1963)

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Soundtracks

I'm Sad and I'm Lonely
(uncredited)
Performed by Charles Kemper

User Reviews

Totally solid, gorgeous, archetypal film about loyalty, greed, and love

Yellow Sky (1948)

A classic and somewhat formulaic, beautifully photographed Western with a couple small twists. The main thing you might not catch is that this is an adaptation of "The Tempest," by Shakespeare. Here, the band of travelers crosses a metaphoric sea (the desert) and reaches a "New World" where they sort out what matters between them. The set was built (and deliberately destroyed) from an old silent film set that was left over.

Of note--Gregory Peck and Richard Widmark together for their only time, and they inevitably end up as enemies. The setting is the amazing and deadly Death Valley, and the locations shooting is shot there for authenticity. William Wellman was one of those consistently excellent directors who never really made a bad film, but didn't always make exceptional ones, and this one is right in his usual mix of strong visuals, tight editing, fairly simple dramatic plots, and a key actor or two to identify with.

Ann Baxter is the third leading character, and she's pretty much right on, with some grit and determination, but also a little too isolated for her own good. She's a kind of parallel to the really touch Mercedes McCambridge in "Johnny Guitar," a far more inventive movie, but one where an isolated woman (or two) have to fight off the greedy male rabble. Sort of like life, sometimes. Note that "Johnny Guitar" is four years later.

Besides Wellman's expertise, cinematographer Joe MacDonald's work is really worth noticing, for once again he helps elevate a fairly straightforward plot into something hard bitten, layered, and beautiful. MacDonald, born in Mexico, really came into his own by the late forties, and is behind a whole bunch of noir and western classics (as well as the famous "How to Marry a Millionaire"). In all, it's a really good movie, no question.