Biography of songwriter, Broadway pioneer, Jerome Kern. Unable to find immediate success in the USA, Kern sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva.
It's turn of the century America when Andrew and Veronica first meet - by crashing into each other. They develop an instant and mutual dislike which intensifies when, later on, Andrew is ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must ... See full summary »
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers' collaboration - elaborately staged numbers from their plays, characters' visits to night clubs, and impromptu performances at parties. We also see Larry's scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard's successful wooing of Dorothy Feiner.Written by
22 Terrific Rodgers and Hart Tunes! 2 Exciting Love Stories! 5 Great Broadway Musicals Rolled Into One! 14 Spectacular Girl-Filled Production Scenes! 14 Sensational Singing and Dancing Stars! and Color by Technicolor See more »
Judy Garland's two songs "I Wish I Were in Love Again" and "Johnny One Note" are sung at the same party, but they were filmed four months apart from each other. You can tell based on the longer length of her hair in the second number and the thicker, belt-less waistline (from a slight weight gain) in the dress she is wearing. See more »
After he is rejected by Joyce Harmon, Richard Rodgers attends a showing of Camille. This event is shown as taking place prior to the Broadway premiere of _A Connecticut Yankee_, even though the film was released in 1936 and the premiere of _A Connecticut Yankee_ took place in 1927. The clip from "Camille" is shown as if the picture were a silent film, when in fact "Camille" was (and is) one of Garbo's most celebrated talking pictures. See more »
I sometimes imagine in horror that people, hundreds of years from now, will dig up _Night and Day (1946)_ (qv) or Words and Music and mistake it for actual history. Anachronisms jump off virtually every frame of both films: here for starters, the time line jumps back and forth inexplicably (it's 1925... no 1936! Nope, try a 1927 where everyone dresses like it's 1948). MGM---for obvious reasons--- brushed aside Lorenz Hart's angst over being gay (his actual personality was the polar opposite of Rooney's portrayal), The clothes are all wrong, songs are incorrectly connected to various productions and most glaringly, Perry Como (his last film) inexplicably morphs into himself in the last few minutes. MGM was in dire straits in 1948--- Loew's was breathing down an increasingly out of touch L.B. Mayer's neck over the red ink bleeding across most of the year's releases (1948 could arguably be cited as the beginning of the studio's long slow slide into decline). This is entertaining but, aside from the short shrift given the Rodgers and Hart partnership split and innumerable snubs at marriage proposals, there isn't any real truth in it. It's a collection of good-to-great musical numbers (best: Slaughter on 10th Avenue) tied to a story that never happened. Great R&H songs though... oddly watchable.
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