Smith as an iron-willed railroad detective. When his friend Murray is fired from the railroad and begins helping Rebstock wreck trains, Smith must go after him. He also seems to have an interest in Murray's wife (and vice versa).Written by
Ed Stephan <firstname.lastname@example.org>
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. A popular local favorite, it was first telecast in Minneapolis Saturday 7 February 1959 on WTCN (Channel 11), followed by Asheville 12 April 1959 on WLOS (Channel 13), by Milwaukee 21 April 1959 on WITI (Channel 6), by Omaha 4 June 1959 on KETV (Channel 7), by Philadelphia Saturday 3 October 1959 on WCAU (Channel 10), by Indianapolis 24 October 1959 on WFBM (Channel 6), by Toledo 2 November 1959 on WTOL (Channel 11), by Seattle 4 November 1959 on KIRO (Channel 7), by Chicago 20 November 1959 on WBBM (Channel 2), and by Johnstown 9 December 1959 on WJAC (Channel 6). At this time, color broadcasting was still in its infancy, limited to only a small number of high rated programs, primarily on NBC and NBC affiliated stations, so all of these vintage film showings were still in B&W, with the exception of WFBM, which, as an NBC affiliate had already ventured into pioneer color broadcasting. Other viewers were not offered the opportunity to see these films in their original Technicolor until several years later. It was released on DVD 12 March 2013 as part of Universal's Classic Westerns Collection, and since that time, has also enjoyed airings on both Turner Classic Movies and the Western Channel. See more »
When Murray punches Luke, he falls sideways off the chair. However, in the shot of Luke landing on the floor, he lands on his back. See more »
This is a very fine western. Great Technicolor, decent acting and a nice plot. As a fan of the western genre, I appreciate the snappy way the story moves along. Modern westerns (and most films, in fact) drag the exposition out. Here, for example, when Robert Preston's character meets up with his old friend Ladd and mentions Preston's wife's name, the look on Ladd's face instantly tells you "oh-oh, there's a history here." Very quick, but well done and you know what's coming.
This is a "railroad western." It's nice to see a western that emphasizes the importance and power of the the railroads in the settlement of the west.
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