In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster.Written by
Jim Beaver <email@example.com>
Just as John Huston was starting to shoot scenes in Tampico, Mexico, the production was shut down inexplicably by the local government. It turns out that a local newspaper printed a false story that accused the filmmakers of making a production that was unflattering to Mexico. Fortunately, two of Huston's associates, Diego Rivera and Miguel Covarrubias, went to bat for the director with the President of Mexico. The libelous accusations were dropped. See more »
In the opening shot of the poster, the word "febrero" ("February") is spelled with a capital F. In Spanish, month names may or may not be capitalized. See more »
Say buddy, will you stake a fellow Am...
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Having had his day as an idolized star and romantic leading man, it was now time for Bogart to get down to the serious business of acting For eighteen years it had usually been Bogart playing Bogart in various shadings Now that Bogart was gone and in his place was an older and far less romantic figure, one who found new challenges and was able to meet most of them successfully This new phase of his continued growth began with a story of three men in search of gold
Although "The Treasure of the Sierra Madre" is indisputably one of Bogart's best films, it was co-star Walter Huston who won an Academy Award as did the movie's director and scenarist, John Huston
Based on a novel by the mysterious B. Traven, the film told a riveting tale which explored the degenerative effects of encroaching greed, distrust, and hatred on three prospectors who team up to search for gold in Mexico
Bogart's Fred C. Dobbs was an amazingly complex creation whose slow disintegration into paranoia was brilliant1y managed on camera He is a born loser with no potential for change in sight Suspicious, unfeeling, savage, and easily corruptible, he seems clearly destined for a tragic fate almost from our first meeting with him
Tim Holt was also excellent as Bob Curtin, a man who, like Bogart, is tempted but whose conscience will not permit him to exercise his baser desires. (He could have let Bogart die in a cave-in, but saved him instead.) Young, impressionable, and unprepared, he has never seen the likes of a Fred C. Dobbs and he finds himself overwhelmed and uncertain as to how he will cope with Dobbs's rage and greed
However, it is the director's father, Walter Huston, who literally stole the picture from both Bogart and Holt as he played Howard, a wise old toothless codger who knew all along what would happen and took it all in stride, kicking up his heels and having a marvelous time Life can't surprise him any more He's already had successes and failures enough for one lifetime Like a faithful dog, he's along for the thrill of the hunt, and should there be another pot of gold at the end of this rainbow, well, that's just a bonus
It is mainly the interaction of these three men from their first meeting and uneasy partnership through their final confrontation that made "The Treasure of the Sierra Madre" one of Warner Brothers' triumphs of the forties
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