7.2/10
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52 user 22 critic

The Street with No Name (1948)

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2:32 | Trailer

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A covert FBI agent infiltrates a ruthless gangster mob, but his life is at risk from a mysterious informant who funnels inside information to the hoodlums.

Director:

William Keighley

Writer:

Harry Kleiner (original screen play)
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1 nomination. See more awards »

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Cast

Complete credited cast:
Mark Stevens ... Gene Cordell / George Manly
Richard Widmark ... Alec Stiles
Lloyd Nolan ... Inspector George A. Briggs
Barbara Lawrence ... Judy Stiles
Ed Begley ... Chief Bernard Harmatz
Donald Buka ... Shivvy
Joseph Pevney ... Matty
John McIntire ... Cy Gordon
Walter Greaza Walter Greaza ... Police Lt. Paul Staller
Howard Smith ... Commissioner Ralph Demory
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Storyline

After two gang-related killings in "Center City," a suspect (who was framed) is arrested, released on bail...and murdered. Inspector Briggs of the FBI recruits a young agent, Gene Cordell, to go undercover in the shadowy Skid Row area (alias George Manly) as a potential victim of the same racket. Soon, Gene meets Alec Stiles, neurotic mastermind who's "building an organization along scientific lines." Stiles recruits Cordell, whose job becomes a lot more dangerous... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Here's The Real-Life Drama Of The FBI Counter-Attack Where Law And Order Break Down! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

13 September 1948 (Sweden) See more »

Also Known As:

Manhunt See more »

Company Credits

Production Co:

Twentieth Century Fox See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Joan Chandler was originally cast as Mark Stevens' fiancee, but this character did not appear in the completed film. See more »

Goofs

The wall behind Ed Begley during the Danker interrogation changes from brightly lit to sharply defined shadows of prison bars and back to brightly lit again. See more »

Quotes

Alec Stiles: I haven't seen you around lately.
Gene Cordell: [as George Manly] I've been away.
Alec Stiles: Is that right?
Gene Cordell: Weekend in the country.
Alec Stiles: Courtesy of the city?
Gene Cordell: Something like that.
See more »

Connections

Spun-off from The House on 92nd Street (1945) See more »

Soundtracks

Baby Face
(1926) (uncredited)
Music by Harry Akst
Played on the arcade piano
Also played at the saloon
See more »

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User Reviews

 
Few-frills agent-in-peril noir benefits from Widmark, Stevens
19 February 2002 | by bmacvSee all my reviews

J. Edgar Hoover, it now seems, was a mediocre crimefighter but a master orchestrator of his own publicity (and only secondarily that of the FBI). The Street With No Name stands as one of the better films dedicated to kissing his assiduously cultivated legend. Most directors assigned these tasks in the noir cycle wrote off such idolatry as a cost of doing business, clearing it away quickly so as to get on with their moviemaking; William Keighley follows this sensible agenda.

FBI agent Mark Stevens goes undercover to infiltrate the mob in that cesspool of crime, Center City, USA. In the boxing ring, he attracts the attention, slightly open to inference, of boss Richard Widmark, a dapper ("I like my boys to look sharp") cutthroat with a morbid fear of drafts and sneezes. With the aid of confederate John McIntyre, Stevens reports the gang's plans back to the FBI. Alas, a high-placed informant in the police department reports the FBI's plans back to Widmark.

So the movie boils down to the agent-in-peril story. Keighley tells it cleanly and briskly, eschewing the complexities (both visual and moral) of Anthony Mann's T-Men, released just a few months earlier. It's strongest in the feel for Center City's raffish tenderloin, with its fleabag hotels, pool halls and walk-up gyms. Stevens, McIntyre and Lloyd Nolan (as Stevens' superior) give workmanlike jobs with the rather staid roles scriptwriter Harry Kleiner supplies. His few-frills approach reins in Widmark, too, who's always better when he's unfettered and shooting over the top.

The Street With No Name suffers a bit from staying so resolutely all-guy; thus Barbara Lawrence suffers, too, in an underwritten and inconsequential part as Widmark's abused moll. A little more cool yin might have balanced out all that hot, hard yang.

NOTE: In 1955, Samuel Fuller remade -- and rethought -- this movie, using the same screenwriter and cinematographer (Joe MacDonald, now working in color) as House of Bamboo, set in postwar Tokyo.


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