Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, ... See full summary »
Olga San Juan,
In the year 1550, Sir George Vernon agrees to have his young daughter Dorothy betrothed to John Manners, the son of the Earl of Rutland. Sir George signs a contract, promising that the ... See full summary »
Bart is a clerk for a publishing company. He has written a novel. His wife Peggy and he have five children. Bart's former girlfriend, Mildred, is manager of the company's Paris office. She ... See full summary »
Leona Stevenson is sick and confined to her bed. One night, whilst waiting for her husband to return home, she picks up the phone and accidentally overhears a conversation between two men planning a murder. She becomes increasingly desperate as she tries to work out who the victim is so the crime can be prevented.Written by
Col Needham <firstname.lastname@example.org>
Where Henry is having lunch with Sally, he asks his waiter if he knows who the gentleman is in the dark glasses at the table behind him. The man is director Anatole Litvak. See more »
Another observer states that, early in the film, Waldo Evans has Henry Stevenson drop him off, on a rainy night, at a number 54 address but that, toward the end of the story, Waldo phones from an apartment with number 26 as the address. That observer considers this to be "an error of geography" but he or she fails to note that the early scene took place in Cicero, Illinois whereas the later scene took place after the thieving operation had moved to Bayonne, New Jersey and that Waldo was stating that he would be "at the Manhattan address." So there is no "error of geography." See more »
Operator! Operator! Operator!
Voice of Operator:
Your call please?
Operator, I've been ringing Murray Hill 35097 for the last half hour and the line is always busy. Will you ring it for me, please?
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It starts off very slow but the payoff is there--just keep watching
When I first started watching this film, I wasn't hooked until well into the movie. Seeing the bed-ridden Stanwyck's monologue just didn't hook me--even when she accidentally overheard a plot to kill someone. A lot of this was because her character wasn't very likable--she was a very whiny little "princess" who frankly annoyed me! This is why I rate the movie lower than many on IMDb--I just didn't care much about her and early on I was hoping that SHE would be the one murdered. However, as the story unfolded in a series of flashback, the film became less claustrophobic and very entertaining. None of this really made me hate Stanwyck's character less, but it did help the audience to understand her more--as well as her husband (Burt Lancaster). While the story still was hampered by a long list of unlikable characters (actually, I never really liked any of them--except maybe Wendell Corey), it did excel by being super-creative and for ending on a very powerful note. The film was a lot like the first drop on a roller-coaster--very slow and uphill until a wonderful conclusion. I'd like to say more, but don't want to spoil the film.
The movie had generally good and very creative writing, good direction and excellent acting. It certainly WAS creative, but allowing Stanwyck to be more three-dimensional would have improved the film greatly.
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