Olivia Harwood, missionary's widow, meets charming Mark Bellis, artist and rogue, on the ship taking them both back to 1890s London. When Olivia opens a lodging house Mark becomes her ...
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Olivia Harwood, missionary's widow, meets charming Mark Bellis, artist and rogue, on the ship taking them both back to 1890s London. When Olivia opens a lodging house Mark becomes her lodger, then her lover. Olivia falls so completely under amoral Mark's spell that he's able to overcome her scruples, and soon she's his willing tool in an ambitious scheme of theft and blackmail...maybe too ambitious.Written by
Rod Crawford <email@example.com>
This is the first Paramount picture produced in the UK after World War II. See more »
When Mark is painting Olivia's portrait, her necklace beads are not all twisted together; there are two strands that are hanging separately. When they move away from the portrait, the necklace strings are all uniformly twisted together with no strands hanging loose. See more »
"This is a true story... one of the strangest chapters in the annals of crime. Its characters lived more than fifty years ago... the leading figures in a passionate game of love and murder. It began on a sailing vessel homeward bound from the West Indies for Liverpool..." See more »
... since it could refer to both or either main characters Olivia Harwood (Ann Todd) and Mark Bellis (Ray Milland). The two outwardly seem as different as possible. They meet on a ship voyage from Jamaica to Britain when Olivia nurses Mark through a bout of malaria. She is penniless other than for a small property she owns in London and has been recently widowed. Her late husband, a missionary, died of malaria himself after the two had served in Jamaica for several years. Mark is a con man on the run, and out of funds he reluctantly has headed back to London - where he is also wanted by the law - to find those funds and get out of British controlled territory altogether.
At first Mark sees Olivia as just another mark for his cons and uses her attraction to him as a means of control. His actual girlfriend is a rather talkative floozy - Kitty - that he can only take in small doses. He does seem to prefer the quiet demeanor of Olivia, at least when he's got his thinking - or should I say plotting - cap on. However, Olivia begins to really enjoy the art of the con as taught to her by Mark and becomes an apt and inventive pupil. Their joint mark - an old school girl friend of Olivia's, the foolishly trusting Susan, played by Geraldine Fitzgerald, who is married to an adviser to the Queen. Olivia seems somewhat bitter that her life has turned out so impoverished when she was the brightest girl at school while the dim-witted Susan has the world at her feet through the accident of marriage. She uses this perceived inequitable outcome as justification for her actions.
Mark's feelings then become somewhat confused. He begins to have actual feelings for Olivia as he begins to realize that she is as cunning and lethal as he - she just needed a push to get her to have the courage of her lack of convictions.
This one has many interesting twists and turns, however do remember that this is a British production and is therefore probably going to seem somewhat understated for American fans of 40's noir. If you can understand that I think you'll like this one a great deal. I know I did.
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