In Nazi Germany in 1936 seven men escape from a concentration camp. The camp commander puts up seven crosses and, as the Gestapo returns each escapee he is put to death on a cross. The ... See full summary »
A classic film featuring a boy who is able to hear what the racehorses at the track are thinking. He bases their moods on how well he thinks they'll do, and tells his older brother who is ... See full summary »
Jackie 'Butch' Jenkins,
A silent nine-year-old Czech boy, a survivor of Auschwitz, flees a refugee center in postwar Germany and is found by an American G.I. At the same time, the boy's mother, the sole surviving member of his family, searches refugee centers for her son. Time, distance, and the massive numbers of refugee children are factors hampering the reunion of mother and son.Written by
Martin H. Booda <email@example.com>
The picture on the wall seen when all the Jewish children leave the UNRRA facility is Theodor Herzl. See more »
All of Tommy's lines were obviously dubbed. See more »
[Steve is teaching a young boy, whose name he does not know but has coined Jim, to speak English]
Ralph 'Steve' Stevenson:
You have no idea how useful it's going to be for you to know English. You can go where ever you like. Everybody knows what 'OK' means. You can use English all over the world. Not, not just America: Canada, Africa, Australia, India. Even in England, they understand English... well, sort of.
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I have been haunted by THE SEARCH since I first saw it when it first came out in 1948. I have since been on my own search to be able to see it again. Finally I saw it again at the July 2005 San Francisco Jewish Film Festival where they said they had to obtain a copy of the film from England. It would be interesting to know the circumstances around this film and why it is so rarely available to USAmerican audiences. I suspect that a key element in that obscurity is that its chief writer, Richard Schweizer, was one of the Hollywood Jewish screenwriters blacklisted by the House Unamerican Activities Committee so that the film suffered the same fate. I am very heartened by reading the comments of others on this site. I am not alone in holding this film in a kind of reverence. I hope it will become more generally available to USAmericans. Its neglect is such an injustice for Montgomery Clift who gave such a great naturalistic performance--doing it as well or better than James Dean who followed later. And none of director Fred Zinneman's works should be allowed to disappear.
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