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The Red Shoes (1948)

Not Rated | | Drama, Music, Romance | 6 September 1948 (UK)
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1:39 | Trailer
A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.

Writers:

Hans Christian Andersen (fairy tale), Emeric Pressburger (original screenplay) | 3 more credits »
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Popularity
3,814 ( 1,266)
Top Rated Movies #226 | Won 2 Oscars. Another 4 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marius Goring ... Julian Craster
Jean Short Jean Short ... Terry
Gordon Littmann Gordon Littmann ... Ike
Julia Lang Julia Lang ... A Balletomane
Bill Shine ... Her Mate
Léonide Massine ... Ljubov (as Leonide Massine)
Anton Walbrook ... Boris Lermontov
Austin Trevor ... Professor Palmer
Esmond Knight ... Livy
Eric Berry Eric Berry ... Dimitri
Irene Browne ... Lady Neston
Moira Shearer ... Victoria Page
Ludmilla Tchérina ... Irina Boronskaja (as Ludmilla Tcherina)
Jerry Verno Jerry Verno ... Stage-Door Keeper
Robert Helpmann ... Ivan Boleslawsky
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Storyline

Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by Paul Penna <tterrace@wco.com>

Plot Summary | Plot Synopsis

Taglines:

A Dancing, Singing, Swinging Love Tale See more »

Genres:

Drama | Music | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English | French | Russian

Release Date:

6 September 1948 (UK) See more »

Also Known As:

The Red Shoes See more »

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Box Office

Budget:

GBP500,000 (estimated)

Cumulative Worldwide Gross:

$30,165
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (as Colour by) (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Anton Walbrook's character of Lermontov was generally thought to be based on ballet impresario Sergei Diaghilev, the man behind Vaslav Nijinsky. In 1913, after learning that Nijinsky had married his prima ballerina, Romola de Pulszky, Diaghilev fired them both from the Ballet Russes. In the film, Lermontov's constant firing of dancers who fall in love is a parallel of this. Michael Powell and Emeric Pressburger, however, were more inclined to say that Lermentov was a representation of their first main mentor, Alexander Korda. See more »

Goofs

Just before Julian Craster begins to play the piano for the first time for Lermontov, the shadow of a boom mic can be seen moving into position, projected against the wall behind him. See more »

Quotes

[first lines]
[holding doors closed]
Doorman: They're going mad, sir. It's the students.
[From outside]
Julian Craster: Down with tyrants!
Manager, Covent Garden: All right, let them in.
See more »

Crazy Credits

The end of the film finishes with 'Finis' instead of 'The End'. See more »

Connections

Referenced in The Royal Tenenbaums (2001) See more »

Soundtracks

Danse de la poupée
(uncredited)
from "Coppelia"
Music by Léo Delibes
Played by uncredited symphony orchestra
See more »

Frequently Asked Questions

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User Reviews

 
A superb production, wonderful colour, but above all, superbly directed.
1 April 2004 | by Ben_CheshireSee all my reviews

The performances are terrific (with only the odd unusual line delivery, partly due to english being many of the actors' second language, and partly due to the fact that all of the main dancing characters, are not professional actors at all, but dancers - including Moira Shearer, Australia's Robert Helpmann, Leonida Massine and Ludmilla Tcherina - which fact considering, they do marvellous jobs).

The story's passion for ballet and music comes across to the audience, and the story is compelling and fascinating, due to the way it is told. Moira Shearer, in a career-defining role, has a wonderful presence as the young dancer Victoria Page, who becomes a star of the Lermontov Ballet Company, and dances the lead in the ballet The Red Shoes. But Anton Walbrook is truly terrific as Lemontov. One particular moment i was very impressed with was when he begins to write a letter to Victoria, and there is a closeup of his face, and on his face we can read the emotions of his letter in a very subtle way. A marvellous scene. He has a germanic cold stare in this part which really brings it to life - the character of Lemontov is entirely in his eyes.

The score is fantastic, particularly the original ballet of the red shoes itself, composed for the film by Brian Easdale. The film has such a wonderful look partly due to the fact that its production designer was a painter, Hein Heckroth.

But the element which really makes this movie great is how superbly it is directed. With glorious use of colour, it is directed in a smooth, impeccable style in the manner of Renoir - except here each frame poses not as a painting, but as a moment from a ballet.

A wonderful film to watch.


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