| Cast overview, first billed only: | |||
| Anton Walbrook | ... | Boris Lermontov | |
| Marius Goring | ... | Julian Craster | |
| Moira Shearer | ... | Victoria Page | |
| Robert Helpmann | ... | Ivan Boleslawsky | |
| Albert Bassermann | ... | Sergei Ratov (as Albert Basserman) | |
| Léonide Massine | ... | Grischa Ljubov (as Leonide Massine) | |
| Esmond Knight | ... | Livy | |
| Austin Trevor | ... | Professor Palmer | |
| Irene Browne | ... | Lady Neston | |
| Hay Petrie | ... | Boisson | |
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Eric Berry | ... | Dimitri |
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Derek Elphinstone | ... | Lord Oldham |
| Ludmilla Tchérina | ... | Irina Boronskaja (as Ludmilla Tcherina) | |
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Marie Rambert | ... | Madame Rambert (as Madame Rambert) |
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Michel Bazalgette | ... | M. Rideaut |
Under the authoritarian rule of charismatic ballet impressario Boris Lermontov, his proteges realize the full promise of their talents, but at a price: utter devotion to their art and complete loyalty to Lermontov himself. Under his near-obsessive guidance, young ballerina Victoria Page is poised for superstardom, but earns Lermontov's scorn when she falls in love with Julian Craster, composer of "The Red Shoes," the ballet Lermontov is staging to showcase her talents. Vicky leaves the company and marries Craster, but still finds herself torn between Lermontov's demands and those of her heart. Written by Paul Penna <tterrace@wco.com>
I first heard of "The Red Shoes" when I read the liner notes to an album by the jazz/fusion group Weather Report, called "Tale Spinnin'". Therein it said that saxophonist Wayne Shorter had seen the film a few dozen times. Intrigued, I watched it when I noticed it in the TV listings. What a discovery!
With its focus on the tangle of lives of a ballerina, a composer, and a dictatorial impresario who uses them both, the story may have elements of a soap opera, but it's a superior soap opera. What appealed to Shorter, I'm sure, is the film's depiction of the artists' creative process. It may have been done better elsewhere, but I haven't seen it. Besides that, it's beautifully directed, beautifully photographed and sumptuous to look at throughout. The surreal title ballet is performed in a segment that is stunning, and I'm not just using that word as a cliche.
Anton Walbrook stands out as Lermontov, leader of the ballet troupe. There are many real-life artists from the ballet world in the film, including Leonide Massine and Robert Helpmann. Massine is particularly effective.
Don't be put off by the notion that this is some effete art film; it's high quality AND accessible. Anyone who enjoys art (especially ballet), romance or just plain good moviemaking owes it to themselves to see it.