As part of a divorce settlement, Theodore Ainsley gets custody of his older daughter Millicent, and his wife Elinor gets younger sister Jean. The two girls, normally inseparable, can't bear... See full summary »
A very pretty girl, is always surrounded by many male admirers, much to the dismay of one very shy fellow, who never can get a chance to speak with her. One day the girl visits a friend in ... See full summary »
After a hard struggle the old man has just saved enough money to justify the marriage of his daughter and adopted son, when word comes from the oil fields nearby that his brother has lost ... See full summary »
W. Chrystie Miller,
A hundred years ago in a little seaside village, lived and played three children, Philip Ray, Annie Lee and Enoch Arden, the latter an orphan. They grew up together and both boys fell in ... See full summary »
ARE YOU IN LOVE THIS WEEK? If you are - you'll get a double thrill from this most romantic of all love stories about a man who was in love with a girl who lived twenty years before his time. If you aren't - it may change your ideas on the subject for the rest of your life.
The quotation from Keats during the opening narration "Beauty is truth, truth beauty, that is all ye know on earth, and all ye need to know." are lines 49-50 of the poet's Ode on a Grecian Urn (written 1819). See more »
As Eben clings to Jennie on the rocks at the Land's End lighthouse, they speak to one another, but their lips either aren't moving or aren't in sync with what they're saying. See more »
Eben... I want always just to sit and watch you paint.
Now that I've found the perfect model, I'll paint her again and again.
No, I - - I didn't mean that... I mean I want you to paint all the beautiful things in the world.
[smiles, holds her tight]
You're the most beautiful thing in the world.
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There are no credits at all at the beginning of the film; even the title is not disclosed until the end of the film. Furthermore, several credited workers on the film are not designated by their actual function on the movie, but simply as "staff executives". See more »
Originally, all television prints were completely in black-and-white, but by the 1980s the shot of the portrait at the very end was again shown in color. More recently, though, the greenish tint used in the storm scene (lasting about ten minutes) was also restored. Numerous sources, most notably "Leonard Maltin's Movie and Video Guide," have stated that the final reel, save for that color shot, was green, but it was the storm sequence alone, regardless of where it falls on the reels. While the 1990 Fox Video VHS release returned to black-and-white for the two scenes between the storm sequence and the painting-shot, the version currently shown on Turner Classic Movies has them in sepia tint. Which accurately reflects the original theatrical prints is undetermined, but both have the end titles in sepia. See more »
Prior to my review, 50 people have done theirs on this website and there isn't much I can add to the adjectives they have used, such as "beautiful,"" "haunting," "underrated," etc.
"Portrait Of Jennie" continues to be my all-time favorite romance story, probably because it features time travel, which I usually find fascinating, and two of my most-liked classic actors: Jennifer Jones and Joseph Cotten.
Once you get past that beginning narration consisting of stupid New Age mumbo-jumbo, the film is pure charm and who better to exhibit that than Jones? Few women ever looked more wholesome, sounded sweeter and looked more beautiful than this actress, who really projected innocence as she showed in her Academy Award winning debut in "The Song Of Bernadette" earlier in the decade.
Cotten is a good match for her in this film. An underrated star, he had a great voice and magnetism of his own.
However, the more I watch this film the more I am fascinated with Ethel Barrymore, who plays the kindly, spinster art museum owner. She has an extremely knowledgeable countenance and delivery of speech. Cecil Kellaway plays her art museum partner and rounds out this very likable cast.. The are no "bad guys" in this film......just good people.
The mystical time-space quality in this romance, something akin to 1980''s "Somewhere In Time," fascinates throughout and special effects are pretty darn good, too, considering when it was made.
For me, as with others, this movie was a haunting one: a film that moves me each time I see it. I have viewed perhaps 10,000 films in my 60 years and this one still ranks in the Top Ten.
Thanks to it being available on DVD - and at a cheap price - more and more people are discovering this gem. This is one of those classic movies that would still appeal to younger people today.....at least, I hope I would.
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