Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the... See full summary »
A very pretty girl, is always surrounded by many male admirers, much to the dismay of one very shy fellow, who never can get a chance to speak with her. One day the girl visits a friend in ... See full summary »
In this latter day Cain and Abel story, a jealous brother strikes down his sibling just as a young burglar is about to enter the house. The jealous brother summons police, who then charge ... See full summary »
Henry B. Walthall,
A potentially violent patient in an insane asylum is calmed when he hears a nurse playing the piano. But shortly afterwards he breaks free, eludes his pursuers, and acquires a gun. He soon ... See full summary »
Charles Hill Mailes
After a hard struggle the old man has just saved enough money to justify the marriage of his daughter and adopted son, when word comes from the oil fields nearby that his brother has lost ... See full summary »
W. Chrystie Miller,
ARE YOU IN LOVE THIS WEEK? If you are - you'll get a double thrill from this most romantic of all love stories about a man who was in love with a girl who lived twenty years before his time. If you aren't - it may change your ideas on the subject for the rest of your life.
Although the movie opens in the winter of 1934, in the scene where Eben first meets Jennie in the park, several 1940s cars can be seen passing in the background. See more »
Eben... I want always just to sit and watch you paint.
Now that I've found the perfect model, I'll paint her again and again.
No, I - - I didn't mean that... I mean I want you to paint all the beautiful things in the world.
[smiles, holds her tight]
You're the most beautiful thing in the world.
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The film opens with a book entitled THE PAINTINGS OF EBEN ADAMS with the inside page headed PORTRAIT OF JENNIE
Originally, all television prints were completely in black-and-white, but by the 1980s the shot of the portrait at the very end was again shown in color. More recently, though, the greenish tint used in the storm scene (lasting about ten minutes) was also restored. Numerous sources, most notably "Leonard Maltin's Movie and Video Guide," have stated that the final reel, save for that color shot, was green, but it was the storm sequence alone, regardless of where it falls on the reels. While the 1990 Fox Video VHS release returned to black-and-white for the two scenes between the storm sequence and the painting-shot, the version currently shown on Turner Classic Movies has them in sepia tint. Which accurately reflects the original theatrical prints is undetermined, but both have the end titles in sepia. See more »
I had only seen this film only the once,until recently and I recall it was on a rainy Sunday afternoon. I only started watching this film has there was not much else on, however when it had finished, i wanted to watch it again,and stayed up late so that i could watch the repeat showing.what make this stand out was the other world feeling of it,the photography,the feel of New York in a bygone era, and the music,Debussey, which is haunting adds to the overall ambiance,It is in essence a love story which transcends time and , is told with tenderness and beauty. It's mood lingers in the heart and its planes challenge the mind. It always leaves a void when the film ends and i can truly feel Ebans pain at losing Jennie. You can read into a lot of metaphorical stuff in the film and the book - cleverly done. The ending is both heartening yet crucifying,emotionally a story of two star crossed lovers, The overall realisation that through the barrier of time love is enduring and never ending, a wonderful film which is a must for all romantics out there. Highly recommended.
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