A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
John Forbes is a family man who's jaded with his life, routine and job as an insurance adjuster. Life gets a little more exciting for him when he calls upon femme fatale Mona Stevens whose boyfriend has embezzled from a store insured by Forbes' company and showered her with gifts. Forbes finds Mona through MacDonald, a private detective, who freelances for the insurance company. Forbes goes to collect the ill-gotten gifts with the boyfriend in jail and Forbes falls hard for Mona and begins an affair. The problem is that MacDonald has had his eyes on Mona first and is obsessed with her. MacDonald decides to use the soon-to-be-released boyfriend to deal with Forbes and clear the field for himself.Written by
Martin Lewison <firstname.lastname@example.org>
The comic book in Dick Powell's hand is Flash #77 (1946) See more »
Near the end of the film, Dick Powell wanders the sidewalks throughout much of the night and into the morning. When he goes to his office, he is is unshaven. Later that morning, when his wife picks him up from the police station, Powell appears clean shaven. See more »
I am always amazed at Dick Powell's transition from bouyant singing star into the shadows and uncertainties of noir classics. He's absolutely delightful in the former -- and gives joy and heart to the songs he's given. Confident, good-looking, he seems to be laughing at life. In PITFALL -- it's as if his bubble has been burst -- the "perfect" home, job, family and friends have become simply routine in his mind. By venturing into the world of beautiful loser (as far as men are concerned) Lizbeth Scott -- Powell's wanderlust is satisfied only to find he's opened a "can of worms". Powell, Wyatt, Scott and Raymond Burr are effective and believable -- and the film is paced, photographed, and scripted with intelligence -- so that the viewer easily goes along for the ride. Powell's talent as an actor is underscored here. As his outlook on things changes he redefines "what he's had all along" with an underplayed, yet genuinely felt appreciation. Burr is especially chilling as the obsessed detective sent to get the goods on Lizbeth Scott. Kudos to de Toth.
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