John Forbes is a family man who's jaded with his life, routine and job as an insurance adjuster. Life gets a little more exciting for him when he calls upon femme fatale Mona Stevens whose boyfriend has embezzled from a store insured by Forbes' company and showered her with gifts. Forbes finds Mona through MacDonald, a private detective, who freelances for the insurance company. Forbes goes to collect the ill-gotten gifts with the boyfriend in jail and Forbes falls hard for Mona and begins an affair. The problem is that MacDonald has had his eyes on Mona first and is obsessed with her. MacDonald decides to use the soon-to-be-released boyfriend to deal with Forbes and clear the field for himself.Written by
Martin Lewison <firstname.lastname@example.org>
John's personal car is a 1947 Ford Super Deluxe convertible coupe. This was the top-of-the-line model. Fully restored, this car could be worth $40-60,000 in 2016. See more »
In the beginning, just after Dick Powell sits down in his office, Raymond Burr starts talking but one part of his speech is an obvious cut with a different recording of his voice between two other cuts. ("Just a kind word, and a pat on the back for a job well done"). See more »
Powell protects Scott from Burr while Barr waits to get out of jail
An insurance executive for a large company (Dick Powell) jokingly tells his wife (Jane Wyatt) as she's driving him to his office, that their lives have become a big routine. He's not really in a position to do anything about it, but when he takes over an embezzlement case from a private detective played by Raymond Burr, everything changes. Burr and Powell don't like each other, and their mutual animosity grows throughout the film when Powell gets involved with Lizabeth Scott who plays the fiancé of the jailed Byron Barr, who spent the embezzled money on gifts for her. Burr, an ex-cop, thinks he can have her, though she can't stand him, and he slips a wicked sucker punch on Powell one night while Powell is closing his garage door, warning him to stay away. Burr's part is the glue that holds much of the film together. He's insinuating, devious, but also kind of a coward. As good as Burr is, Powell seems even better. He was a born talent.
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