7.6/10
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84 user 72 critic

The Naked City (1948)

Not Rated | | Crime, Drama, Film-Noir | 4 March 1948 (USA)
Two New York City detectives investigate the death of an attractive young woman. The apparent suicide turns out to be murder.

Director:

Jules Dassin

Writers:

Albert Maltz (screenplay), Malvin Wald (screenplay) | 1 more credit »
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Won 2 Oscars. Another 1 win & 4 nominations. See more awards »

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Cast

Complete credited cast:
Barry Fitzgerald ... Lt. Dan Muldoon
Howard Duff ... Frank Niles
Dorothy Hart ... Ruth Morrison
Don Taylor ... Jimmy Halloran
Frank Conroy ... Captain Donahue
Ted de Corsia ... Willly Garzah (as Ted De Corsia)
House Jameson ... Dr. Stoneman
Anne Sargent Anne Sargent ... Mrs. Halloran
Adelaide Klein Adelaide Klein ... Mrs. Batory
Grover Burgess Grover Burgess ... Mr. Batory
Tom Pedi ... Detective Perelli
Enid Markey ... Mrs. Hylton
Mark Hellinger ... Narrator (voice)
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Storyline

Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran investigate. Suspicion falls on various shifty characters who all prove to have some connection with a string of apartment burglaries. Then a burglar is found dead who once had an elusive partner named Willie. The climax is a very rapid manhunt sequence. Filmed entirely on location in New York City. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

Terrifically told by the man who knew New York best. See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

4 March 1948 (USA) See more »

Also Known As:

Homicide See more »

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Box Office

Gross USA:

$2,400,000, 31 December 1948
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Film debut of Walter Burke. See more »

Goofs

During the end pursuit, Garzah walks past a plump, dark-haired lady in a floral dress, pushing a baby in a stroller. As Donahue pursues in a following scene, he passes the same woman, now walking without her baby carriage and her left hand bandaged. See more »

Quotes

Muldoon: What can you tell me about Mr. Niles' Business?
Perelli: He ain't got a business. It's a dodge. No credit rating. Dropped from his university club for non-payment of dues. Still owes a food and liquor bill of hundred and ten dollars and eighty three cents.
See more »

Crazy Credits

The opening credits are spoken by producer/narrator Mark Hellinger. No credits are seen on the screen. See more »

Connections

Referenced in Hill Street Blues: Hearts and Minds (1981) See more »

Soundtracks

Sobre las Olas (Over the Waves)
(1887) (uncredited)
Written by Juventino Rosas
Background music for the girls on swings
See more »

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User Reviews

Tell Us a Story
25 May 2004 | by howdymaxSee all my reviews

That's just what the producer, Mark Hellinger does. He tries to make it clear from the introduction that this is not your average movie. It is not. This entire production tries to accomplish one thing - authenticity. And for the most part, it succeeds.

Before I get to what's right about this movie, let me mention a few of the things that are wrong. Ted DeCorsia overacts. He always overacts. Howard Duff's character, Frankie Niles, is supposed to be a streetwise grifter. How the hell could he be dumb enough to get himself in as many pickles as he did. Anybody who has ever been around the block would know better than to lie to the cops about everything. Just lie about the important things and tell the truth when it won't hurt you. If this guy is a sociopath, he's the dumbest one in town. Although most of the accents are on the money, the incidental dialogue injected into some of the scenes sounds forced and phony. In fact, it sounds like Hollywood trying to sound like New York. Mark Hellinger's narration, by comparison, is not only authentic, it's practically Damon Runyonesque.

Now - what's right. Practically everything else. The location photography is the New York I remember as a kid. While I was watching some of the hot summer scenes downtown, I could practically smell the asphalt, melting tar, and garbage. Don Taylor's brick duplex in Queens was just the kind of house that every struggling family on the wrong side of Brooklyn aspired to.

I won't comment on the story except to say, it's an entirely believable crime story. I seem to remember Barry Fitzgerald playing a similar role in Union Station. Reminds one of the old days when most of the cops were Irish - and New York was really New York.


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