Lester and Orville accidentally launch a rocket which is supposed to fly to Mars. Instead it goes to New Orleans for Mardi Gras. They are then forced by bank robber Mugsy and his pal Harry ... See full summary »
Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Two volunteer firemen rescue a gold prospector from suicide. However, once they discover that the police mistakenly want them for murder, they travel with the prospector to Alaska to help ... See full summary »
Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of ... See full summary »
Rocky and Puddin' Head are waiting tables at an inn on Tortuga when a letter given them by Lady Jane for delivery to Martingale gets switched with a treasure map. Kidd and Bonney kidnap them to Skull Island to find said treasure.
Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's ... See full summary »
Fresh from the hit "Abbott and Costello Meet Frankenstein," the comedy duo set out on "Mexican Hayride." Costello plays Joe Bascom, who is on the trail of Harry Lambert (Bud Abbott). Lambert coerced Bascom into swindling friends in Iowa, and Bascom has followed him into Mexico to force him to pay up. Through a series of misunderstandings, Bascom becomes "Amigo Americano" and is honored and feted. Lambert sees this as an opportunity for further land swindles in Mexico, and again tries to use Bascom as an unwitting pawn.
If this description sounds like an unusual plot for an Abbott and Costello film, you would be right. The story is based upon a Broadway show. A&C stalwart screenwriter John Grant does his best to interject A&C humor and routines into the existing Broadway storyline. Two of his best examples are the scene where Abbott rips off Costello's clothes in an effort to hide his initials, which are sewed on every piece of clothing; and the scene with Fritz Feld as an diction specialist.
"Mexican Hayride" is considered one of the weakest films in the A&C series, and I agree. The main problem lies in trying to interject A&C into a Broadway storyline built for other actors. A&C give it their best as usual, but the storyline simply isn't for them. One expects Abbott to take advantage of Costello here and there; it was seen in many of their best comedies. But for Abbott to swindle many people besides Costello simply isn't funny. There are also many gaps in the humor that result in dull moments. I really tried to like "Mexican Hayride," but the storyline simply didn't fit A&C snugly, and the humor is not consistent enough to generate many laughs. 3 out of 10.
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