Cast overview, first billed only: | |||
Orson Welles | ... | Macbeth | |
Jeanette Nolan | ... | Lady Macbeth | |
Dan O'Herlihy | ... | Macduff | |
Roddy McDowall | ... | Malcolm | |
Edgar Barrier | ... | Banquo | |
Alan Napier | ... | A Holy Father | |
Erskine Sanford | ... | Duncan | |
John Dierkes | ... | Ross | |
Keene Curtis | ... | Lennox | |
Peggy Webber | ... | Lady Macduff / The Three | |
Lionel Braham | ... | Siward | |
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Archie Heugly | ... | Young Siward |
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Jerry Farber | ... | Fleance |
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Christopher Welles | ... | Macduff's Child |
Morgan Farley | ... | Doctor |
In fog-dripping, barren and sometimes macabre settings, 11th-century Scottish nobleman Macbeth is led by an evil prophecy and his ruthless yet desirable wife to the treasonous act that makes him king. But he does not enjoy his newfound, dearly-won kingship... Restructured, but all the dialogue is Shakespeare's. Written by Rod Crawford <puffinus@u.washington.edu>
No one will claim that Welles' adaptation is the most accurate or best (see Roman Polansky's for a truer Macbeth) and at some points the bombast of Welles and his supporting cast, especially Lady Macbeth, can be a little overwhelming. However, for sheer mood and feel, I prefer this Macbeth over all the others out there. The darkness and dampness that close in on Welles as the movie progresses is claustrophobic and really gives a gritty appeal to this film. A great example of b&w film used to its fullest potential.