Michael O'Hara, against his better judgement, hires on as a crew member of Arthur Bannister's yacht, sailing to San Francisco. They pick up Grisby, Bannister's law partner, en route. Bannister has a wife, Elsa, who seems to like Michael much better than she likes her husband. After they dock in Sausalito, Michael goes along with Grisby's weird plan to fake his (Grisby's) murder so he can disappear untailed. He wants the $5000 Grisby has offered, so he can run off with Elsa. But Grisby turns up actually murdered, and Michael gets blamed for it. Somebody set him up, but it is not clear who or how. Bannister (the actual murderer?) defends Michael in court.Written by
John Oswalt <firstname.lastname@example.org>
After distinguished service during WWII in coastal patrol off California, the "Zaca" was sold out of Errol Flynn's estate and went through years of neglect and disputes in ownership. Rescued from certain destruction and restored by a wealthy Italian businessman, it sails now out of Monte Carlo, and is recognized as one of the finest yachts in the world. See more »
When Mrs. Bannister purchases her ticket at the box office of the Chinese theater, the girl says "konnichiwa," which is a Japanese greeting. See more »
When I start out to make a fool of myself, there's very little can stop me. If I'd known where it would end, I'd never let anything start... if I'd been in my right mind, that is. But once I'd seen her, once I'd seen her, I was not in my right mind for quite some time.
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Opening credits shown over a water background. See more »
Orson Welles' "The Lady From Shanghai" does not have the brilliant screenplay of "Citizen Kane," e.g., but Charles Lawton, Jr.'s cinematography, the unforgettable set pieces (such as the scene in the aquarium, the seagoing scene featuring a stunning, blonde-tressed Rita Hayworth singing "Please Don't Love Me," and the truly amazing Hall of Mirrors climax), and the wonderful cast (Everett Sloane in his greatest performance, Welles in a beautifully under-played role, the afore-mentioned Miss Hayworth--Welles' wife at the time--at her most gorgeous) make for a very memorable filmgoing experience. The bizarre murder mystery plot is fun and compelling, not inscrutable at all. The viewer is surprised by the twists and turns, and Welles' closing line is an unheralded classic. "The Lady From Shanghai" gets four stars from this impartial arbiter.
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