Bicycle Thieves (1948)
Beyond the Hills (Cristian Mungiu)
It took Cristian Mungiu over five years to release a feature-length follow-up to his Palme d’Or winning masterpiece, 4 Months, 3 Weeks, and 2 Days. That film, along with The Death of Mr. Lazerescu before it, launched the Romanian New Wave to international acclaim and recognition, and although the movement is not quite as overtly political as it once was, Beyond the Hills is evidence that
The festival today unveiled its full roster for the Classics sidebar which includes tributes and documentaries about film and filmmakers, and restorations presented by producers, distributors, foundations, cinemathèques and rights holders. Among the attendees this year are Martin Scorsese, Jane Fonda, Christopher Nolan and John Travolta.
The Eyes Of Orson Welles is a journey through the filmmaker’s visual process. Thanks to Welles’ daughter Beatrice, Cousins (The Story Of Film) was granted access to never-before-seen drawings, paintings and early works that form a sketchbook from his life.
“Lady Bird always said she lived on the wrong side of the tracks, I didn’t know there were actual tracks.” So says Danny (Lucas Hedges) almost flippantly in “Lady Bird.” In the film, class plays a large role in how the titular character interacts with everyone she comes in contact with. The movie is seemingly a coming of age story about a girl who’s simply trying to make her social ends meet as she transitions from high school to college, but that would almost be too superficial of a reading. “Lady Bird” and “The Florida Project” didn’t win any of the Oscars they were nominated for on Sunday, but their legacies are secure as part of a growing trend to break the mold of the old coming-of age model. In doing so, have become more
The title, which translates roughly as “The Virtue of the Imponderable,” will “show that all the bad things that come your way are actually formidable,” the 80-year-old Lelouch said, speaking during the International Monte Carlo Film Festival, which is dedicated to comedies. Lelouch presided over the jury.
He added that he got the idea for this film after the theft, which took place in early January as he was locking his car in front of the Paris offices of his production company. “I’ve tried to have a positive attitude,” Lelouch said, noting that he wants to make this film with non-professional actors, “a bit like [Vittorio de Sica’s] ‘Bicycle Thieves.
In the mid-sixties, famed producer Dino De Laurentiis brought together the talents of five celebrated Italian directors for an anthology film. Their brief was simple: to direct an episode in which Silvana Mangano (Bitter Rice, Ludwig) plays a witch.
Luchino Visconti (Ossessione, Death in Venice) and screenwriter Cesare Zavattini (Bicycle Thieves) open the film with The Witch Burned Alive, about a famous actress and a drunken evening that leads to unpleasant revelations. Civic Sense is a lightly comic interlude from Mauro Bolognini (The Lady of the Camelias) with a dark conclusion, and The Earth as Seen from the Moon sees Italian comedy legend Totò team up with Pier Paolo Pasolini (Theorem) for the first time for a tale of matrimony and a red-headed father and son. Franco Rosso (The Woman in the Painting) concocts a
Arrow Academy has put together a Special Edition release of The Witches, and a film that I really enjoyed out of Sundance 2017—Bad Day for the Cut—gets released this week via the fine folks over at Well Go USA. Other notable releases for January 9th include Friend Request and Nails.
68 Kill (Scream Factory/IFC Midnight, Blu-ray & DVD)
Trailer-dwelling, sewage-pumping Chip (Matthew Gray Gubler, Criminal Minds) may not lead the most glamorous life,
The Last Laugh
Kino Lorber Kino Classics
1924 / B&W / 1:37 flat full frame / 90 min. / Der letze mann / Street Date November 14, 2017 / available through Kino Lorber / 29.95 Starring: Emil Jannings, Georg John.
Cinematography: Karl Freund
Film Editor: Elfi Böttrich
Production Design: Edgar G. Ulmer
Original Music: Giuseppe Becce
Written by Carl Mayer
Produced by Erich Pommer
Directed by F. W. Murnau
Back in the early 1970s film school professors had limited resources. They lectured, assigned readings from a short list of authoritative film scholars and screened 16mm prints of renowned world classics. The only problem is that it was often difficult to correlate the classics described in the texts with the ragged film prints available.
In today’s intense political climate, the battle between nationalism and globalism is a widespread conflict, one that emerges in part from being alienated by a system that is unsympathetic and uncaring. Hollywood reflects this alienation by what it chooses to ignore: The industry continually avoids touchy film subjects, such as the lives of working-class Americans. The studio’s largest, mass-produced films play it safe by focusing on the all-inclusive entertainment value of superheroes and furry animals.
One might argue that the onus lies on American audiences, who may not be interested in realism, and perhaps it’s just a business decision on part of the studios. However, within the past seven years, American independent cinema has produced successful,
This week’s question: In honor of “The Florida Project,” which has just started its platform release across the country, what is the greatest child performance in a film?
Jordan Hoffman (@JHoffman), The Guardian, Vanity Fair
I can agonize over this question or I can go at this Malcolm Gladwell “Blink”-style. My answer is Tatum O’Neal in “Paper Moon.” She’s just so funny and tough, which of course makes the performance all the more heartbreaking. She won the freaking Oscar at age 10 for this and I’d really love to give a more deep cut response, but why screw around? Paper Moon is a perfect film and she is the lynchpin.
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Tuesday, August 1
Tuesday’s Short + Feature: These Boots and Mystery Train
Music is at the heart of this program, which pairs a zany music video by Finnish master Aki Kaurismäki with a tune-filled career highlight from American independent-film pioneer Jim Jarmusch. In the 1993 These Boots, Kaurismäki’s band of pompadoured “Finnish Elvis” rockers, the Leningrad Cowboys, cover a Nancy Sinatra classic in their signature deadpan style. It’s the perfect prelude to Jarmusch’s 1989 Mystery Train, a homage to the King of Rock ‘n’ Roll and the musical legacy of Memphis, featuring appearances by Screamin’ Jay Hawkins and Joe Strummer.
How one classic inspired another.
The article Simpatico: Comparing Aziz Ansari’s ‘Master of None’ and Vittorio DeSica’s ‘Bicycle Thieves’ appeared first on Film School Rejects.
While IFC’s Northern Ireland political story “The Journey” also delivered a surprisingly strong New York opening, the most encouraging news of the weekend was the impressive expansion for “Beatriz at Dinner” (Roadside Attractions).
The Book of Henry (Focus) – Metacritic: 28
$1,407,000 in 579 theaters; PTA (per theater average): $2,431
Trevorrow broke out with Sundance indie “Safety Not Guaranteed,” which grossed a healthy $4 million, followed by blockbuster “Jurassic World.” This anemic personal project will
Like his 1963 comedy “Il Boom,” which has never had a U.S. release…until now! “Il Boom” will finally come to the States — complete with a new restoration — later this month, and we have a fresh trailer to celebrate.
Read More: ‘La Strada’ Restoration First Look: Federico Fellini’s Oscar-Winning Masterpiece Heads Back to Theaters — Watch
The film’s title refers to the Italian economic “miracle” that took place from the late 1950s until the 1970s after World War II. “Il Boom” follows Giovanni Alberti (Alberto Sordi), a small building contractor who is deeply in debt because
Aziz Ansari has always been an affable presence on screen – his turn as Tom Haverford on Parks and Rec won him a huge audience and his consistent stand-up work helped solidify his name as one of the best comedic talents around. It wasn’t until he was given the chance to write and produce his own show, though, that it become clear just what a talent the 34-year-old really is.
Master of None, the Netflix original about an Indian actor living in New York, debuted on Netflix in 2015 to critical acclaim. The season holds a 100% rating on Rotten Tomatoes and was nominated for several major awards, including a Golden Globe and four Emmys.
The first season of Master of None was pretty much perfect. Ansari’s script was, like his performance, full of intricate little details, humour and an incredibly human look at
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