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Bicycle Thieves (1948)

Ladri di biciclette (original title)
Not Rated | | Drama | 13 December 1949 (USA)
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In post-war Italy, a working-class man's bicycle is stolen. He and his son set out to find it.

Director:

Vittorio De Sica

Writers:

Cesare Zavattini (story), Luigi Bartolini (novel) | 7 more credits »
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Top Rated Movies #99 | Nominated for 1 Oscar. Another 18 wins. See more awards »

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Cast

Complete credited cast:
Lamberto Maggiorani ... Antonio
Enzo Staiola ... Bruno
Lianella Carell Lianella Carell ... Maria
Elena Altieri Elena Altieri ... The Charitable Lady
Gino Saltamerenda Gino Saltamerenda ... Baiocco
Giulio Chiari Giulio Chiari ... The Beggar
Vittorio Antonucci Vittorio Antonucci ... The Thief
Michele Sakara Michele Sakara ... Secretary of the Charity Organization
Fausto Guerzoni Fausto Guerzoni ... Amateur Actor
Emma Druetti Emma Druetti
Carlo Jachino Carlo Jachino ... A Beggar
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Storyline

Ricci, an unemployed man in the depressed post-WWII economy of Italy, gets at last a good job - for which he needs a bike - hanging up posters. But soon his bicycle is stolen. He and his son walk the streets of Rome, looking for the bicycle. Ricci finally manages to locate the thief but with no proof, he has to abandon his cause. But he and his son know perfectly well that without a bike, Ricci won't be able to keep his job. Written by jolusoma

Plot Summary | Plot Synopsis

Plot Keywords:

thief | theft | despair | church | chase | See All (215) »

Taglines:

The Prize Picture They Want to Censor!

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy

Language:

Italian

Release Date:

13 December 1949 (USA) See more »

Also Known As:

Bicycle Thieves See more »

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Box Office

Budget:

$133,000 (estimated)

Opening Weekend USA:

$11,845, 4 October 1998, Limited Release

Gross USA:

$36,818, 31 December 2009
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Vittorio De Sica's son Manuel recalled in an interview the filming of scenes in the Piazza Vittorio Emanuele: "...Papa told me about coming across, early in the morning, the director of photography of the film Carlo Montuori, completely frozen, clinging to his camera, devotedly waiting for the fleeting moment. He had stayed there in order to protect with his whole body the chassis (the magazine of film mounted on the back of the camera) from the rigours of the night. Dawn has a brief duration, and for this reason several days were needed to sew together long sequences which had cost many early forced awakenings for the entire troupe just to get a few minutes of footage...During the filming in Piazza Vittorio, he required the production secretary, Roberto Moretti, to stop the trams passing. Poor Moretti, who did not even have a permit to set up the tripod of the camera on the square, with great presence of mind disguised himself as a tram conductor, and began to redirect all the trams bursting with workers that happened to pass in proximity to the square. Before anyone guessed the reason for the existence of this man in the middle of the crossroads, the shooting was finished and Roberto arrested." See more »

Goofs

[All goofs for this title are spoilers.] See more »

Quotes

La Santona: [Addressing a young man seated before her, apparently seeking advice on his love life] You must plant your seeds in another field. Do you understand what I mean?
Young man seeking advice: No, I don't understand.
La Santona: It's simple, my boy. What good is planting seeds if the soil rejects them? You plant, but don't gather. Understand?
Young man seeking advice: I haven't understood a word.
La Santona: [Becoming impatient] She doesn't love you! Forget her!
La Santona: [Pausing for effect] Dear boy, you're very ugly. Yes, ugly. There are so many other women... Go and plow another ...
See more »

Connections

Referenced in Broadway Danny Rose (1984) See more »

Frequently Asked Questions

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User Reviews

 
Simple, Powerful Film Survives
18 April 2000 | by harry-76See all my reviews

There's not much that can be said about "The Bicycle Thief" that hasn't already been expressed. It is considered a great work of the Italian cinema, and looking at it in its 1999 release version, one can see why.

Structurally, it's a theme and variations, with such a simple, clearly stated main motif that one can identify and follow its mutations with no effort. DeSica is clearly the fine craftsman here, directing every scene with a beautiful sense of control and balance.

His work with young Enzo Staiola (as Bruno) is especially commendable, and he allows then nonprofessionals Lamberto Maggiorani (as Antonio) and Lianella Carell (as Marie) to act in a model of naturalism.

Carlo Montuori's photography is brilliant, and Antonio Traverso's production design is pungent and atmospheric. Like most "masterpieces," a film-classic score provides emotional depth in a subliminal way: here it's a romantic, Italianesque original composition by Aessandro Cicognini wraps up the entire production.

DeSica's career is most impressive, being involved in nealy 200 films, 165 of them as an actor. This film remains one of his greatest achievements. It seems to be standing the test of time very nicely, too. It's been criticized, sometimes quite severely, and just continues to bounce back, winning new admirers with each reissue. The public just won't let "The Bicycle Thief" fade away. That alone tends to override any negative factors. It looks like this film is going to be around for quite a while. ###


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