In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Ricci, an unemployed man in the depressed post-WWII economy of Italy, gets at last a good job - for which he needs a bike - hanging up posters. But soon his bicycle is stolen. He and his son walk the streets of Rome, looking for the bicycle. Ricci finally manages to locate the thief but with no proof, he has to abandon his cause. But he and his son know perfectly well that without a bike, Ricci won't be able to keep his job.Written by
Lamberto Maggiorani was very shy and embarrassed throughout the shooting as he had no actor training or would often become anxious when he couldn't do what Vittorio De Sica wanted him to do. The director, however, did not coddle him because he knew Maggiorani's real anxiety and nervousness before the camera would work well for his on-screen character. De Sica would later praise Maggiorani, saying "The way he moved, the way he sat down, his gestures with his hands hardened from work, the hands of a working man, not of an actor...I made him promise that after the film he would forget the cinema and would go back to his job." But during the filming, De Sica would still send a black limousine to pick Maggiorani up and bring him to the day's location. See more »
[All goofs for this title are spoilers.]
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Watch the film with your focus on the son, not the father. Watch what happens to the boy, what he sees, how he is influenced, his point of view. The father is so preoccupied with the bicycle he fails to see what is happening to his son. This is the strength of the film. Watch the boy.
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