Bicycle Thieves (1948)

In post-war Italy, a working-class man's bicycle is stolen. He and his son set out to find it.

Director:

Vittorio De Sica

Writers:

Cesare Zavattini (story), Luigi Bartolini (novel)

Stars:

Lamberto Maggiorani, Enzo Staiola, Lianella Carell

Top Rated Movies #101 | Nominated for 1 Oscar. Another 20 wins & 2 nominations.

Cast

Complete credited cast:
Lamberto Maggiorani	...	Antonio
Enzo Staiola	...	Bruno
Lianella Carell	...	Maria
Elena Altieri	...	The Charitable Lady
Gino Saltamerenda	...	Baiocco
Giulio Chiari	...	The Beggar
Vittorio Antonucci	...	The Thief
Michele Sakara	...	Secretary of the Charity Organization
Fausto Guerzoni	...	Amateur Actor
Emma Druetti
Carlo Jachino	...	A Beggar

Storyline

Ricci, an unemployed man in the depressed post-WWII economy of Italy, gets at last a good job - for which he needs a bike - hanging up posters. But soon his bicycle is stolen. He and his son walk the streets of Rome, looking for the bicycle. Ricci finally manages to locate the thief but with no proof, he has to abandon his cause. But he and his son know perfectly well that without a bike, Ricci won't be able to keep his job.

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Plot Keywords:

thief | theft | despair | church | riding a bicycle | 

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Taglines:

The Prize Picture They Want to Censor!

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Genres:

Drama

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Certificate:

Not Rated

Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list.

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Goofs

[All goofs for this title are spoilers.]

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Quotes

Antonio Ricci: [to Bruno] Do you fancy a pizza? Come on, then! Come on, let's go! What the hell. We might as well go out in style. What's the point in worrying about it all?

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Connections

Featured in TCM Guest Programmer: Madeleine Stowe (2013)

User Reviews

Simple, Powerful Film Survives

There's not much that can be said about "The Bicycle Thief" that hasn't already been expressed. It is considered a great work of the Italian cinema, and looking at it in its 1999 release version, one can see why.

Structurally, it's a theme and variations, with such a simple, clearly stated main motif that one can identify and follow its mutations with no effort. DeSica is clearly the fine craftsman here, directing every scene with a beautiful sense of control and balance.

His work with young Enzo Staiola (as Bruno) is especially commendable, and he allows then nonprofessionals Lamberto Maggiorani (as Antonio) and Lianella Carell (as Marie) to act in a model of naturalism.

Carlo Montuori's photography is brilliant, and Antonio Traverso's production design is pungent and atmospheric. Like most "masterpieces," a film-classic score provides emotional depth in a subliminal way: here it's a romantic, Italianesque original composition by Aessandro Cicognini wraps up the entire production.

DeSica's career is most impressive, being involved in nealy 200 films, 165 of them as an actor. This film remains one of his greatest achievements. It seems to be standing the test of time very nicely, too. It's been criticized, sometimes quite severely, and just continues to bounce back, winning new admirers with each reissue. The public just won't let "The Bicycle Thief" fade away. That alone tends to override any negative factors. It looks like this film is going to be around for quite a while. ###

Details

Country:

Italy

Language:

Italian English German

Release Date:

13 December 1949 (USA)

Also Known As:

Bicycle Thieves

Filming Locations:

Via del Gran Paradiso, Rome, Lazio, Italy

Box Office

Budget:

$133,000 (estimated)

Opening Weekend USA:

$25,377, 4 October 1998

Gross USA:

$371,111

Cumulative Worldwide Gross:

$428,978

Company Credits

Production Co:

Produzioni De Sica (PDS), Produzioni De Sica

Technical Specs

Runtime:

89 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.37 : 1