| Cast overview, first billed only: | |||
| John Wayne | ... | Capt. Kirby York | |
| Henry Fonda | ... | Lt. Col. Owen Thursday | |
| Shirley Temple | ... | Philadelphia Thursday | |
| Pedro Armendáriz | ... | Sgt. Beaufort (as Pedro Armendariz) | |
| Ward Bond | ... | Sgt. Maj. Michael O'Rourke | |
| George O'Brien | ... | Capt. Sam Collingwood | |
| Victor McLaglen | ... | Sgt. Festus Mulcahy | |
| Anna Lee | ... | Mrs. Emily Collingwood | |
| Irene Rich | ... | Mrs. Mary O'Rourke | |
| Dick Foran | ... | Sgt. Quincannon | |
| Guy Kibbee | ... | Capt. Dr. Wilkens | |
| Grant Withers | ... | Silas Meacham | |
| Jack Pennick | ... | Sgt. Daniel Schattuck | |
|
|
Ray Hyke | ... | Recruit |
| Movita | ... | Guadalupe | |
Deep into the territory of the great Apache chief, Cochise, the demoted Civil War general, Lieutenant Colonel Owen Thursday, reports for duty as a commanding officer at the remote U.S. cavalry outpost known as Fort Apache, along with his daughter, Philadelphia. There, the arrogant commander will soon lock horns with the realistic and sensible second-in-command, Captain Kirby York, who, as an expert in the local Apaches, disagrees with Thursday who wants to make a name for himself in the Arizona frontier. In the end, is it wise to engage in battle when personal glory is all you seek? Written by Nick Riganas
Director John Ford's first entry in his cavalry trilogy is this excellent film about life on a military outpost far from the glamorous theaters of the Indian Wars on the northern plains. The film touches on character development of the officers and enlisted men on the post, family relationships and the class distinctions among the military social order. Henry Fonda is great as a bitter, unhappy colonel who feels unappreciated by the military hierarchy and is displeased by his assignment to the isolated desert areas. John Wayne gives the film just the right balance as a captain who looks out for his men and knows Indians. Ford has his regular cast on board for the film, and John Agar and Shirley Temple handle the romantic clinches. The pace is slowed somewhat by comedy bits that add nothing to the film's substance. The black and white camera work is stunning and the music is reflective and melancholy.