During a high profile Mafia testimony case in California's Riverside County, a hired killer checks-in a hotel room near the courthouse while his next door depressed neighbor wants to commit suicide due to marital problems.
A congressional committee visits occupied Berlin to investigate G.I. morals. Congresswoman Phoebe Frost, appalled at widespread evidence of human frailty, hears rumors that cafe singer Erika, former mistress of a wanted war criminal, is "protected" by an American officer, and enlists Captain John Pringle to help her find him...not knowing that Pringle is Erika's lover.Written by
Rod Crawford <firstname.lastname@example.org>
Just after the movie begins,Jean Arthur announces to the Army officers that she is the representative of Iowa's 9th Congressional District. The movie was shot, and set, after the end of WWII in 1945. Iowa's 9th District was eliminated by redistricting after the 1940 Census, and ceased to exist after the representatives elected in 1942, the first elections with the redrawn 8 districts, took office at the beginning of 1943. This error may have been by intent to avoid connecting her to a real postwar district. See more »
This is one of those comedies that will always exist in the stratosphere of wit, intelligence and truth. It pulls no punches about politics, greed, hypocrisy & opportunism and treats its audience like grown-ups. It is as applicable to today's congress and the situation in Iraq as it was to post-WWII Germany (to which today's politicians still make frequent comparisons). It also was the first film to unflinchingly capture the effects of the WWII devastation of Berlin.
And what a cast! Jean Arthur, surely one of the greatest of all Hollywood comediennes, Marlene Dietrich in a part to match her Lola Lola in Blue Angel, John Lund a great under-utilized actor with the wit and ruggedness of Clark Gable and Millard Mitchell, one of those character actors whose mold was sadly broken decades ago.
In my book this film ranks with Double Indemnity as the best work of Billy Wilder and Charles Brackett.
Great songs by the legendary Frederick Hollander who actually appears here as Dietrich's accompanist.
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