On a train trip West to become a mail order bride Susan Bradley meets a cheery crew of young women traveling out to open a " Harvey House " restaurant at a remote whistle stop to provide ... See full summary »
It's turn of the century America when Andrew and Veronica first meet - by crashing into each other. They develop an instant and mutual dislike which intensifies when, later on, Andrew is ... See full summary »
Don Hewes and Nadine Hale are a dancing team, but she decides to start a career on her own. So he takes the next dancer he meets, Hannah Brown, as a new partner. After a while this new team is so successful, that Florenz Ziegfeld is interested in them, but due to the fact that Nadine Hale dances also in the Ziegfeld Follies Don says no. In spite of the fact that he is in love with Hannah, he keeps the relation to her strictly business. So Hannah is of the opinion that he is still in love with Nadine, and her suspicion grows when he dances with Nadine in a Night Club Floor Show.Written by
Stephan Eichenberg <firstname.lastname@example.org>
Seven years later, Doris Day would also perform 'Shakin' the Blues Away" in an M-G-M musical. Day's version, in Love Me or Leave Me, focused on her vocal and had her surrounded by male dancers in tuxedos, while Ann Miller's version in this film is a solo number, focused on Miller's tap dancing skills. See more »
Marty's hand movements on the piano do not match the notes being played. See more »
Judy Garland sings "Mr. Monotony" in a sequence cut from the film. An excerpt from the number was included in That's Entertainment Part III (1994). The 2004 DVD box set release of all three That's Entertainment films includes a bonus DVD that includes the complete performance of this number. See more »
I don't know why I haven't checked this out on DVD yet. I imagine it looks spectacular, because even the VHS looked super. I'm talking about the Technicolor. Man, those Technicolor films in the '40s were beautiful, as this certainly is.
For entertainment, you get Fred Astaire dancing, Judy Garland singing, Ann Miller dancing, and Peter Lawford singing. I didn't think Lawford could sing, but he's not bad here. The other talent must have elevated his.
Astaire consistently amazed audiences with his innovative dance routines and smooth style. He does a number here in a toy store that is really something! Miller also gives us a good tap number and Garland's songs are all winners.
This movie is more vehicle for those above-mentioned stars than it is in telling some profound the story. The story is not much, but who cares? It's the dancing, singing, the incredible costumes, overall color, nice people and just plain feel-good musical atmosphere that makes this a popular film, even to this day.
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