Because aging boxer Bill Thompson always lost his past fights, his corrupt manager, without telling Thompson, takes bribes from a betting gangster, to ensure Thompson's pre-arranged dive-loss in the next match.
When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn't know but who just happens to have contact with the murder victim. That man is a close associate on his magazine whom he enlists to trap this "killer" - George Stroud. It's up to George to continue to "help" Janoth, to elude the police and to find proof of his innocence and Janoth's guilt.Written by
One of over 700 Paramount productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. An immediate favorite among local television audiences, its initial telecast took place in St. Louis Wednesday 7 January 1959 on KMOX (Channel 4), and it soon spread across the country, grabbing key prime time movie slots in Los Angeles Saturday 31 January 1959 on KNXT (Channel 2), in Minneapolis 5 February 1959 on WTCN (Channel 11), in Philadelphia 7 February 1959 on WCAU (Channel 10), in Chicago 5 March 1959 on WBBM (Channel 2), in Milwaukee 18 April 1959 on WITI (Channel 6), in Phoenix 29 May 1959 on KVAR (Channel 12), in San Francisco 6 August 1959 on KPIX (Channel 5), in Seattle 15 August 1959 on KIRO (Channel 7), in Detroit 21 October 1959 on WJBK (Channel 2), in Toledo 24 October 1959 on WTOL (Channel 11), in both Pittsburgh and Asheville 9 November 1959 on KDKA (Channel 2) and WLOS (Channel 13), in Grand Rapids 11 November 1959 on WOOD (Channel 8), in Omaha 26 November 1959 on KETV (Channel 7), and in Johnstown 20 December on WJAC (Channel 6); but New York television viewers did not get their first look at it until 12 September 1960 on WCBS (Channel 2). It was released on DVD 6 July 2004 as part of the Universal Noir Collection, and since that time has received frequent airings on cable TV on Turner Classic Movies. See more »
Killer Earl Janoth (Laughton) dispatches his employee Steve Hagen (Macready) to the crime scene to eliminate any evidence connecting him to victim Pauline York (Johnson). Hagen alters the broken clock time as well as removing the murder weapon and misc.incriminating evidence.George Stroud (Milland) subsequently enters the York apartment and changes the clock time again. What both fail to see and leave behind is the most incriminating evidence of all. A photo of the real killer, Earl Janoth, prominently displayed in the apartment. See more »
[talking on intercom to Steve Hagen]
On the fourth floor - in the broom closet - a bulb has been burning for several days. Find the man responsible, dock his pay.
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When reviewing films like The Big Clock the usual temptation for reviewers is to say it's all right, but Alfred Hitchcock could have done it better. I'm prone to that comment myself.
But I can't see how Hitchcock could have done it better in this case. The plot is complicated, but not so that you get bogged down. It defies encapsulation, but briefly Charles Laughton, a Rupert Murdoch like publisher back in the day kills his mistress Rita Johnson. Earlier that day Johnson had picked up Ray Milland who is the editor of one of Laughton's publications Crimeways magazine and had a night on the town with him.
Laughton sees someone leaving Johnson's apartment, it's Milland, but Laughton only glimpses and can't identify him before killing Johnson. With the help of his right hand man George MacReady, Laughton tries to find the stranger to pin the murder on him and enlists Milland to do it. Milland realizes what the game is and it's quite a duel of wits between two very intelligent people.
Milland, though directed by John Farrow here, is a typical Hitchcock hero trapped by circumstances and desperately looking for a solution. It's possible that Hitchcock saw this film and had Milland in mind for one his films and he did eventually use him in Dial M for Murder.
Laughton covers some familiar ground here. He's a powerful man with a fetish for punctuality. The title of the film refers to The Big Clock in the lobby of his skyscraper in New York. It runs on naval observatory time and is also running in tandem with all the clocks in all the buildings that Janoth publications has in the country. In fact it's Johnson's lateness that sets him off in their confrontation. And Milland throws him off his game by stopping The Big Clock in the lobby.
The closest role that Laughton played to Earl Janoth here has to be Inspector Javert in Les Miserables. Both are complete anal retentives, with Javert it's the law, with Janoth its time. Javert has no personal life, Janoth apparently can't handle one. And with both only an actor of great talent and skill like Charles Laughton can make you be repelled by his actions and still feel some sympathy for him.
The Big Clock holds up very well today and I wish it would be remade and could be. It was with Kevin Costner and Gene Hackman in No Way Out with the setting now the Pentagon. I'd like to see it updated and keep it in a civilian setting. Though I doubt it would be as good as the Laughton/Milland version.
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