The Big Clock (1948)

After murdering someone, a magazine tycoon tries to frame an unknown, innocent man for the murder instead, while the innocent man tries to solve the murder himself.

Director:

John Farrow

Writers:

Jonathan Latimer (screenplay), Kenneth Fearing (novel)

Stars:

Ray Milland, Maureen O'Sullivan, Charles Laughton

2 nominations.

Cast

Cast overview, first billed only:
Ray Milland	...	George Stroud
Charles Laughton	...	Earl Janoth
Maureen O'Sullivan	...	Georgette Stroud
George Macready	...	Steve Hagen
Rita Johnson	...	Pauline York
Elsa Lanchester	...	Louise Patterson
Harold Vermilyea	...	Don Klausmeyer
Dan Tobin	...	Ray Cordette
Harry Morgan	...	Bill Womack (as Henry Morgan)
Richard Webb	...	Nat Sperling
Elaine Riley	...	Lily Gold
Luis Van Rooten	...	Edwin Orlin
Lloyd Corrigan	...	McKinley
Frank Orth	...	Burt
Margaret Field	...	Second Secretary

Storyline

When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn't know but who just happens to have contact with the murder victim. That man is a close associate on his magazine whom he enlists to trap this "killer" - George Stroud. It's up to George to continue to "help" Janoth, to elude the police and to find proof of his innocence and Janoth's guilt.

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Plot Keywords:

editor | frame up | magazine | manhunt | tycoon | 

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Taglines:

The Strangest and most Savage Manhunt in History!

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Genres:

Crime | Drama | Film-Noir | Mystery | Thriller

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Certificate:

Not Rated

Did You Know?

Trivia

At about minute 43, Charles Laughton does a quick homage to his Hunchback of Notre Dame performance.

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Goofs

At the magazine staff meeting right after an investigator has visited Louise Patterson and gotten the name of "the blonde woman", the shadow of the boom microphone can be seen moving on the upper left of the chalkboard frame.

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Quotes

Pauline York: You know, Earl has a passion for obscurity. He won't even have his biography in 'Who's Who'.
George Stroud: Sure. He doesn't want to let his left hand know whose pocket the right one is picking.

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Connections

Referenced in Where Danger Lives: White Rose for Julie (2007)

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Soundtracks

The Wearin' of the Green
(uncredited)
Traditional

User Reviews

Noir fans have found a hidden gem

The Big Clock, starring Ray Milland and Charles Laughton, is a great black and white thriller in every way. Unlike many noirs of it's time, it's not a B movie. The lighting, sets, talent and camera-work are top notch. The acting is perfect, as would be expected with a cast like this. Milland is charming and easy to route for. In fact, I usually find him kind of stiff - a little to up tight and proper. Here he seems to be a real guy with real problems. Milland was most famously known for playing an alcoholic three years earlier. In a kind of nod to that "lost weekend" there's a fun scene of him going on a bender in Manhattan - with unforeseen results. Like all noirs, a small wrong decision becomes a bigger and bigger problem latter on. When Milland decides to hang out with a hot blonde instead of going home to his wife, you just know he's gonna get into big trouble. And boy does he. The big trouble is Laughton.

I've always enjoyed Charles "Capt. Bligh" Laughton. He was such a good actor. In The Big Clock he manages to be fascinating and loathsome playing the media empire kingpin. His character has no morals, and it's fun to watch him work. He clearly enjoyed himself making this film.

Oh, and isn't Elsa Lanchester great as the crazy artist? Everyone know's Lanchester. She wore the most famous hairdos in movie history.

Remade as No Way Out with Costner and Hackman in the leads.

Details

Country:

USA

Language:

English

Release Date:

9 April 1948 (USA)

Also Known As:

The Big Clock

Filming Locations:

Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, USA

Company Credits

Production Co:

Paramount Pictures

Technical Specs

Runtime:

95 min

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1