7.7/10
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The Big Clock (1948)

Not Rated | | Crime, Drama, Film-Noir | 9 April 1948 (USA)
After murdering someone, a magazine tycoon tries to frame an unknown, innocent man for the murder instead, while the innocent man tries to solve the murder himself.

Director:

John Farrow

Writers:

Jonathan Latimer (screenplay), Kenneth Fearing (novel)
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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ray Milland ... George Stroud
Charles Laughton ... Earl Janoth
Maureen O'Sullivan ... Georgette Stroud
George Macready ... Steve Hagen
Rita Johnson ... Pauline York
Elsa Lanchester ... Louise Patterson
Harold Vermilyea ... Don Klausmeyer
Dan Tobin ... Ray Cordette
Harry Morgan ... Bill Womack (as Henry Morgan)
Richard Webb ... Nat Sperling
Elaine Riley ... Lily Gold
Luis Van Rooten Luis Van Rooten ... Edwin Orlin
Lloyd Corrigan ... McKinley
Frank Orth ... Burt
Margaret Field Margaret Field ... Second Secretary
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Storyline

When powerful publishing tycoon Earl Janoth commits an act of murder at the height of passion, he cleverly begins to cover his tracks and frame an innocent man whose identity he doesn't know but who just happens to have contact with the murder victim. That man is a close associate on his magazine whom he enlists to trap this "killer" - George Stroud. It's up to George to continue to "help" Janoth, to elude the police and to find proof of his innocence and Janoth's guilt. Written by Ron Kerrigan

Plot Summary | Plot Synopsis

Taglines:

The strangest and most savage manhunt in history! See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

9 April 1948 (USA) See more »

Also Known As:

Spiel mit dem Tode See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Paramount Pictures insisted that director John Farrow's wife, Maureen O'Sullivan, who had been off the screen since 1942, do a screen test before she would be given the part. See more »

Goofs

At the magazine staff meeting right after an investigator has visited Louise Patterson and gotten the name of "the blonde woman", the shadow of the boom microphone can be seen moving on the upper left of the chalkboard frame. See more »

Quotes

Earl Janoth: [talking on intercom to Steve Hagen] On the fourth floor - in the broom closet - a bulb has been burning for several days. Find the man responsible, dock his pay.
See more »

Connections

Referenced in The Americans: Rififi (2018) See more »

Soundtracks

I'm in the Mood for Love
(uncredited)
Music by Jimmy McHugh
source music heard when Pauline first meets George at the bar
See more »

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User Reviews

 
Tick........Tick........Tick
1 December 2006 | by bkoganbingSee all my reviews

When reviewing films like The Big Clock the usual temptation for reviewers is to say it's all right, but Alfred Hitchcock could have done it better. I'm prone to that comment myself.

But I can't see how Hitchcock could have done it better in this case. The plot is complicated, but not so that you get bogged down. It defies encapsulation, but briefly Charles Laughton, a Rupert Murdoch like publisher back in the day kills his mistress Rita Johnson. Earlier that day Johnson had picked up Ray Milland who is the editor of one of Laughton's publications Crimeways magazine and had a night on the town with him.

Laughton sees someone leaving Johnson's apartment, it's Milland, but Laughton only glimpses and can't identify him before killing Johnson. With the help of his right hand man George MacReady, Laughton tries to find the stranger to pin the murder on him and enlists Milland to do it. Milland realizes what the game is and it's quite a duel of wits between two very intelligent people.

Milland, though directed by John Farrow here, is a typical Hitchcock hero trapped by circumstances and desperately looking for a solution. It's possible that Hitchcock saw this film and had Milland in mind for one his films and he did eventually use him in Dial M for Murder.

Laughton covers some familiar ground here. He's a powerful man with a fetish for punctuality. The title of the film refers to The Big Clock in the lobby of his skyscraper in New York. It runs on naval observatory time and is also running in tandem with all the clocks in all the buildings that Janoth publications has in the country. In fact it's Johnson's lateness that sets him off in their confrontation. And Milland throws him off his game by stopping The Big Clock in the lobby.

The closest role that Laughton played to Earl Janoth here has to be Inspector Javert in Les Miserables. Both are complete anal retentives, with Javert it's the law, with Janoth its time. Javert has no personal life, Janoth apparently can't handle one. And with both only an actor of great talent and skill like Charles Laughton can make you be repelled by his actions and still feel some sympathy for him.

The Big Clock holds up very well today and I wish it would be remade and could be. It was with Kevin Costner and Gene Hackman in No Way Out with the setting now the Pentagon. I'd like to see it updated and keep it in a civilian setting. Though I doubt it would be as good as the Laughton/Milland version.


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