An abandoned baby is raised by three men: the Rev. Andrews, cantor Feldman, and Officer O'Donnell. When Feldman and O'Donnell each find a woman to fall in love with, they both think of ...
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An abandoned baby is raised by three men: the Rev. Andrews, cantor Feldman, and Officer O'Donnell. When Feldman and O'Donnell each find a woman to fall in love with, they both think of getting married and settling down. And each wants to adopt Midge officially and raise her without the other "fathers". And Midge has to find some way for them to all become a family again.Written by
This film made its initial US telecast in Los Angeles on Tuesday 4 December 1956 on KTTV (Channel 11), followed by Minneapolis Sunday 13 January 1957 on KMGM (Channel 9) , by Altoona PA Sunday 20 January 1957 on WFBG (Channel 10) and by Philadelphia Sunday 24 February 1957 on WFIL (Channel 6); in Seattle it first aired 4 April 1957 on KING (Channel 5), in Chicago 21 September 1957 on WBBM (Channel 2) and in San Francisco 12 January 1958 on KGO (Channel 7); its earliest documented telecast in New York City took place Friday 8 January 1960 on WCBS (Channel 2). See more »
A well done Social Drama applicable to 1948 and to today...
As the film opens, three men, all of whom live in the same neighborhood but have differing religious and social circles, come across an abandoned infant in a basket at the steps to one of the men's apartment building...
This film, whose alternate title could have been 'Three Men and a Baby', deals with the commonalities of the Jew, the Catholic and the Protestant as they work for the common good of this baby girl. The cast is rounded out by a sweet, if not stereotypical, Jewish 'grandmother', a benevolent judge and a couple of 'love interests'.
After the initial introduction of the characters, we are left to assume that all goes well for some 10-12 years where the film picks up on the co-mingled lives of the odd family and some of the challenges faced by Midge, the infant now turned lady-beyond-her-years, in the classroom, and by her adoptive fathers in their courtships. It includes many of the aspects of today's 'reality television' shows, including 'alliances', differing moral values, and competition among participants.
The movie deals nicely, if not superficially and somewhat predictably, with the issues of finding common ground to base friendships on, rather than differences upon which to build enmity.
This film is timely for 1948 and for today in a world where religious differences seem to be playing a vital role in public opinion.
I recommend this film for its cinematography (B&W) and for its ability to remind the viewer that there are things worth working together for, especially the future we build for our children.
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