An abandoned baby is raised by three men: the Rev. Andrews, cantor Feldman, and Officer O'Donnell. When Feldman and O'Donnell each find a woman to fall in love with, they both think of ...
See full summary »
Alpha's been raised along scientific principles, and will make Mike Regan a great human interest story for his paper. But when his interview prompts Alpha to run away from the institute and... See full summary »
An outlaw, Bascomb, and his sidekick Yancey join a Mormon wagon train to hide out after a failed bank robbery. Bascomb undergoes a reformation as a result of his interactions with a young girl who becomes attached to him.
S. Sylvan Simon
In the final days of WW2, in a M.A.S.H. unit in Burma, a severely wounded corporal watches in dismay as fellow soldiers pack-up to return home but a caring nurse and five remaining soldiers bring him solace.
A French boy (Daniel) and an American girl (Lauren), who go to school in Paris, meet and begin a little romance. They befriend Julius, who enchants them with his storytelling. In an attempt... See full summary »
George Roy Hill
A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of ... See full summary »
During World War I, believing her fiance to be dead, a young ballerina loses her job and is forced to turn to prostitution. From there, things only get worse for her in this tragic, heart-wrenching, love story.
An abandoned baby is raised by three men: the Rev. Andrews, cantor Feldman, and Officer O'Donnell. When Feldman and O'Donnell each find a woman to fall in love with, they both think of getting married and settling down. And each wants to adopt Midge officially and raise her without the other "fathers". And Midge has to find some way for them to all become a family again.Written by
In July of 1947 the "Hollywood Reporter' news items indicate that producer Joe Pasternak purchased the rights to Miklos Laszlo's story in 1937. Information in the file on the film in the MGM Script Collection at the AMPAS library indicates that the initial script was based on a story, or possibly an unpublished novel, by Laszlo entitled "Catherine (Unfinished Sympathy)." Script materials also indicate that in 1942, "Brothers of the East Side," the title of Nanette Kutner's treatment, was submitted, based on an idea by Pasternak. Several treatments and outlines were written over the course of the next four years, variously titled "Brothers of the East Side," "Catherine" and "Home Is Where the Heart Is." Additional writers who worked on these treatments included Charles Larson and Warner Law, but the extent of their contributions to the completed film has not been determined. A Feb 1947 "Hollywood Reporer' news item noted that Van Heflin was "pencilled in" for the part played by Robert Preston. A Jul 1947 news item indicated that MGM writer Leslie Kardos was set to make his directorial debut with this film. The picture marked the screen debut of Broadway actress Betty Garrett and opera star Lotte Lehmann. Although a Nov 1947 MGM News item noted that former Keystone Kop players Hank Mann and Heinie Conklin appear in the film as police officers, they actually played "drunks." According to a 1953 "Hollywood Citizen News" article, writer Walter Abbott received a "very good settlement" from MGM following his $100,000 plagiarism suit against the company. Abbott claimed in the suit that the studio based "Big City" on his story entitled "Choir Boy." See more »
A well done Social Drama applicable to 1948 and to today...
As the film opens, three men, all of whom live in the same neighborhood but have differing religious and social circles, come across an abandoned infant in a basket at the steps to one of the men's apartment building...
This film, whose alternate title could have been 'Three Men and a Baby', deals with the commonalities of the Jew, the Catholic and the Protestant as they work for the common good of this baby girl. The cast is rounded out by a sweet, if not stereotypical, Jewish 'grandmother', a benevolent judge and a couple of 'love interests'.
After the initial introduction of the characters, we are left to assume that all goes well for some 10-12 years where the film picks up on the co-mingled lives of the odd family and some of the challenges faced by Midge, the infant now turned lady-beyond-her-years, in the classroom, and by her adoptive fathers in their courtships. It includes many of the aspects of today's 'reality television' shows, including 'alliances', differing moral values, and competition among participants.
The movie deals nicely, if not superficially and somewhat predictably, with the issues of finding common ground to base friendships on, rather than differences upon which to build enmity.
This film is timely for 1948 and for today in a world where religious differences seem to be playing a vital role in public opinion.
I recommend this film for its cinematography (B&W) and for its ability to remind the viewer that there are things worth working together for, especially the future we build for our children.
6 of 9 people found this review helpful.
Was this review helpful to you?
| Report this