A bookish historian is married to a steely Southern belle who raises horses, an animal that he doesn't care for. However, the cute young neighbor girl doesn't feel that way about him and makes no bones about letting him know it.
Vincent Van Der Lyn, a Dutch freedom fighter in WWII, is forced to neutral Lisbon to escape the Nazis. There he meets a small band of underground conspirators. The group's leader, Ricardo ... See full summary »
Polly Fulton is the only daughter of rich industrialist B.F. Fulton. She is about to marry the man of her dreams, attorney Robert Tasmin, when she meets the intellectual Thomas Brett. They fall in love and soon they marry. Brett has always been opposed to the lavish lifestyle of the rich, and the anger he feels, when he realizes that he has through his marriage become one of the wealthy, is turned against his wife.Written by
This film did poorly at the box office, resulting in a loss of $565,000 ($5.7M in 2017) for MGM according to studio records. See more »
Burton F. 'B.F.' Fulton:
My money seems to have done you a lot of harm. I didn't mean it that way. I earned it for you... but for your happiness.
Pauline 'Polly' Fulton Brett:
Oh, please, Darling.
Burton F. 'B.F.' Fulton:
Polly, times are changing. I haven't wanted them to. A lot of people think that everything should be different, and they're quite honest about it, but I can't agree with them. I've been a builder, and the world needs builders - planners too, but builders, always builders.
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John Marquand didn't deserve to have his novel turned into this film, which was probably a vehicle for its star, Barbara Stanwyck. Mr. Marquand was a writer whose books were popular and some of them endured the passing of time.
It appears that MGM asked screen writer Luther Davis to transform the novel into something that the book was not. Under the direction of Robert Z. Leonard, one gets the impression this was a movie to show us how a woman in love can throw away all the comforts and perks of her wealthy life for a man that could not make a decent living to keep her in style.
It doesn't make sense that Tom sweeps Polly off her feet by their first encounter in that "divine" little bistro in the Village, circa 1940s. Polly in furs and Tom in rags, give me a break! It would be laughable with today's audiences.
Barbara Stanwyck and Van Hefiln, by the magic of the celluloid never age; if anything they get better looking. Ms. Stanwyck was a marvelous actress with the right material, but in here, she is bogged down by a the mediocrity of the writing. Ms. Stanwyck and Mr. Heflin worked together to better results in two other films. This film has to be viewed as curiosity piece that never made it big.
Richard Hart was perfect as the stuffy Bob, the fiancee that is left behind when he can't cut the mustard. Charles Coburn also appeared in other films in which Barbara Stanwych shone, like "Lady Eve", and he is perfect as B.F. Fulton, Polly's father. He always played rich men. Margaret Lindsay has only a small part. Keenan Wynn is perfect as Marty Ainsley, Tom's friend.
On one positive note, the decor of the homes we see in the film is just "divine", to imitate what Apples would say, as are the costumes and the glossy look they gave the film.
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