Queen Elizabeth is running this show. The men in her court should be thinking about how to add to the glory of the Elizabethan Age and how to foil those pesky Spanish who got far too much ... See full summary »
William K. Howard
During World War I, believing her fiance to be dead, a young ballerina loses her job and is forced to turn to prostitution. From there, things only get worse for her in this tragic, heart-wrenching, love story.
After Larry Darrent accidentally kills his lover's blackmailing husband, someone else is arrested for the crime. When he is found guilty, Larry and Wanda have just three weeks together ... See full summary »
On the sidewalks of the London theater district the buskers (street performers) earn enough coins for a cheap room. Charles, who recites dramatic monologues, sees that a young pickpocket, ... See full summary »
Stefan and Dolly Oblonsky have had a little spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna's companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it's love at first sight when he looks at Anna and their eyes meet. Back in St. Petersburg they keep running into each other at parties. Since she has a husband and small son, they must be very discreet if they are going to see each other alone.Written by
Dale O'Connor <firstname.lastname@example.org>
The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
Opening credits prologue (from the novel): CHAPTER 1 "All happy families resemble one another, every unhappy family is unhappy after its own fashion. Confusion reigned in the home of the Oblonskys". See more »
Greta Garbo's 1935 film is not perfect. As much as I like Fredric March in most films(primarily Dr Jekyll and Mr Hyde) I found him ill suited for Vronsky. However, it was visually stunning with a heart-rending suicide scene as well as superb performances from Garbo and Basil Rathbone. This 1948 film, starring Vivien Leigh this time, is worthy but I do prefer Garbo's personally. As with any film adaptation of the book, the film does deserve credit for compressing a long book into a just over 130 minute film. While there are scenes that are inevitably not as powerful, it does do credibly and perhaps adaptation-wise it is a little superior to Garbo's film. However, the screenplay while literate and thoughtful in some parts is also rather thin to sustain the story in others. Consequently the film does feel overlong and there are times also where it feels turgid pacing-wise. And as much as I hate to say it, as handsome as Kieron Moore is I found him as Vronsky miscast, he is too dull and the conviction of drama is lost for my liking. There is still much to like though. It is sumptuously filmed, with ornate settings and costumes, and the score is of poignant delicacy. It is beautifully directed by Julien Duvivier, and apart from Moore I thought the cast were fine. It was lovely to see Sally Ann Howes, Martita Hunt and Michael Gough and Vivien Leigh as ever gives a dazzlingly beautiful performance in the title role, but the acting honours go to Ralph Richardson whose Karenin is authoritative and superbly unbending. In conclusion, a worthy film adaptation. 7/10 Bethany Cox
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