6.1/10
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8 user 3 critic

Always Together (1947)

Approved | | Comedy | 10 January 1948 (USA)
Millionaire Turner, on his deathbed, leaves a million to Jane Barker. A movie addict who believes life is like the movies, marries Donn without telling him about the bequest. Turner gets ... See full summary »
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Cast

Complete credited cast:
Robert Hutton ... Donn Masters
Joyce Reynolds ... Jane Barker
Cecil Kellaway ... Jonathan Turner
Ernest Truex ... Mr. Timothy J. Bull, Attorney
Don McGuire ... McIntyre, Reporter
Ransom M. Sherman Ransom M. Sherman ... Judge (as Ransom Sherman)
Douglas Kennedy ... Doberman
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Storyline

Millionaire Turner, on his deathbed, leaves a million to Jane Barker. A movie addict who believes life is like the movies, marries Donn without telling him about the bequest. Turner gets better and wants his money back, opening conflict for the newlyweds. Throughout the movie Jane imagines her own experiences as if they were taking place in movies with real movie stars in them. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

10 January 1948 (USA) See more »

Also Known As:

Need for Each Other See more »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Jane tells the cab driver she lives at 22 West 19th St. That would place her and Donn's apartment building in the Flatiron neighborhood of lower Manhattan, just east of Chelsea. More specifically, that is the address of the Cluett Building, built in 1901 and was the headquarters of Cluett, Peabody & Co, the manufacturer of Arrow collars and shirts. As of 2018 it is still a commercial building. See more »

Goofs

After Donn breaks the window, Jane sits down on a couch. Behind her on the wall, a moving shadow of the boom microphone is visible. See more »

Quotes

Jonathan Turner: Oh, bunions!
See more »

Crazy Credits

Opening credits are shown over a picture of a woman sitting on a pile of money, reflecting the plot which is centered on money. See more »

Connections

References Cheyenne (1947) See more »

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User Reviews

 
Great gimmick, feeble film
15 October 2003 | by F Gwynplaine MacIntyreSee all my reviews

'Always Together' is a low-budget Warner Brothers drama with one of the cleverest gimmicks I've ever seen in any movie. That gimmick is probably the only reason why you'll want to see this film. Unfortunately, the gimmick is used in the service of a turgidly dull and unsympathetic plot line. If only this gimmick had been saved for a better movie!

The plot is simple, dull and implausible all at the same go. Jane and Don are impoverished newlyweds. Although they badly need funds, Jane is convinced that money is the root of all evil. A wealthy eccentric, dying from one of those convenient B-movie diseases, bequeaths a million smackeroonies to Jane. She accepts the aforementioned smackeroonies with unlikely reluctance, but without telling Don. Then the dying millionaire recovers, and he wants his money back.

The lead roles in this film are played by actors who never attained stardom, mainly because (how can I put this tactfully?) they stink. As the millionaire with the boomerang bankroll, Cecil Kellaway is a bit less twinkle-twee than usual. Ernest Truex (who usually annoys me) is impressive in a supporting role. A special dungeon in the deepest circle of Hell is reserved for Chester Clute, the most annoying actor in the entire history of Hollywood, who plays here a (much too long) brief role in the proceedings.

Oh, yeah: that gimmick. Like the character played by Mia Farrow in 'The Purple Rose of Cairo' (a much better movie than this one), Jane tries to forget her troubles by going to the movies. Conveniently, the actions of the characters she watches on screen at the matinees seem to parallel the situations which Jane is experiencing in her own life. Now here's the great part: the characters in these films-within-the-film are played by actual movie stars, instantly recognisable. Humphrey Bogart does a brief scene, weeping near a windowpane. Errol Flynn gets a look-in, as do Alexis Smith and Jack Carson. 'Always Together' is a Warners film, so it's not surprising that the actors in these films-within-the-film are all actors under contract to Warners: the impressive part is that they're all Warners STARS, rather than merely contract players. This reminds me of a running feature in the TV series 'M*A*S*H', which was produced by 20th Century-Fox: whenever the 'M*A*S*H' unit had a movie night, the movie was always (by some amazing coincidence) an old 20th Century-Fox film.

This sludge was written by Henry and Phoebe Ephron, a couple of hacks who were deservedly forgotten ... but who are now well-known again due to the recent prominence of their daughter Nora Ephron. I'll rate 'Always Together' 3 points out of 10, solely for the brief performances of the famous actors in the films-within-the-film.


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