Albuquerque

Albuquerque will be somewhat of a disappointment for fans of Randolph Scott as well as aficionados of 1940's Technicolor westerns. One of the reasons for watching one of these post-World War II horse operas would be to enjoy outdoor cinematography in the gorgeous three-strip Technicolor process you expect from color movies of this era. Unfortunately Albuquerque was filmed in Cinecolor, an economical 2-strip substitute, which tends to emphasize garish red orange and murky greens while rendering other colors rather pastel. But it was tolerable here. I can remember seeing Cinecolor westerns new, or nearly so, in movie houses when I was a kid in the 1950's, and it seems that the color was considerably more unattractive compared to Technicolor than it shows on the nicely restored Universal DVD of Albuquerque.

The main problem with this picture was that the acting was lifeless and the story unexciting in spite of some pretty good action sequences. The cast was good enough, topped by Scott and gorgeous Barbara Britton with support from colorful Gabby Hayes, menacing Lon Chaney Jr. and pretty Catherine Craig, the lifelong wife of actor Robert Preston. Wholesome Ms. Craig was a good choice as Scott's love interest. Age 33 at the time, she didn't look like Randolph's daughter as some of his leading ladies of the time would! Don't blame the cast, blame Ray Enright's flabby direction and the uninspired Gene Lewis/Clarence Upson Young screenplay.

Particularly wasted in this lackluster oat-burner was the strikingly beautiful and talented Barbara Britton. I admit to having a crush on Barbara since I watched her as a kid in the light-hearted early television mystery series Mr. And Mrs. North. I still think of her one of the great unappreciated beauties and talents of the classic movie era. She promisingly starts out as a bad babe in Albuquerque, but disappointingly, she too soon turns into a good girl, weakening whatever dramatic potential her character had. She usually played classy good girls, but she displayed a sexy, naughty look at times. It would have been interesting if the boring script had let her be bad to the end.

Albuquerque had its moments, especially in the action department. The runaway ore-loaded mule wagons careening down a winding mountain road was an exciting moment. Scott's fist fight with the brutish Chaney was likewise well staged. This was one of the last times Scott was capable of doing one of these physically stressful encounters without the stunt double who didn't look like him. It must have be hard on him, as he was about 50 at the time. Though he was still claiming to have been born in 1903, which would have made him only 45. Since it was known that Scott was a World War I veteran, it went about that he was one of the youngest men to have served in the American Expeditionary force on the Western Front. He supposedly lied about his age to volunteer at 14. But when the 1900 census became available to the public in 1970, it revealed that he was actually born in 1898, meaning he was the more ordinary service age of 19. It was not the Army he lied to about his age, but everyone else!

Never mind, Scott was still up to what he needed to do in Albuquerque. Unfortunately the production was not up to his standard. Not a terrible western, but not nothing to shoot your six-gun into the air about.

"Albuquerque" is a routine Randolph Scott western set in the town of Silver City about two competing freight lines.

Cole Armin (Scott) is on a stagecoach on which oddly enough, the driver Juke (George "Gabby" Hayes) and his co-driver are not armed. As luck would have it, the coach is held up, a passenger killed and a lady passenger, Celia Wallace (Catherine Craig) is robbed of $10,000, money that was to be used by herself and her brother Ted (Russell Hayden) to get their freight line up and running. Of course Cole is immediately attracted to the comely Celia.

The purpose of Cole's trip is to go to work for his uncle John Armin (George Cleveland) and learn his freight business. Cole soon learns that his uncle is behind the robbery and forces him to give the money back (although we don't see how). He declines his uncle's job offer and joins up with Juke and the Wallaces. Evil Uncle John and his chief heavy Murkill (Lon Chaney) do all they can to foil them.

Uncle John sends for confidence woman Letty Tyler (Barbara Britton) to infiltrate the Wallace company and learn of their plans. As you might of guessed, Ted Wallace becomes enamored of Letty and she soon sees the error of her ways and double crosses Uncle John. Meanwhile, the Wallace line negotiates a contract with miners Lane Chandler and Russell Simpson to haul their silver ore down a hazardous mountain trail. Ted is injured and, you guessed it again, Cole is forced to drive one of the wagons. Well..Uncle John learns of this and in a final confrontation they........

Scott is good as always in the lead but is hampered by a predicable and somewhat weak script. Britton does her best as the good/bad girl and Craig is suitably young and innocent as Scott's love interest. In an unusual bit of casting, George Cleveland plays the chief villain, a mean spirited wheel chair bound old man. Cleveland was usually cast as crusty old towns men on the right side of the law. Chaney is wasted again as Cleveland's henchman. His fight with Scott is ludicrous since he goes through the whole thing save for the last punch, with a lighted cigarette in his mouth. Hollywood never did seem to know what to do with Chaney. When he did get a chance to act such as in "Of Mice and Men" (1939), "High Noon" (1952) or "The Defiant Ones" (1958), he exhibited real talent.

Hayes and Hayden had appeared together in the Hopalong Cassidy series between 1937-39 as Hoppy's sidekicks. Hayes after a career in "B" westerns, appeared in several Scott "A" westerns in the last years of his career, which ended in 1950.

This film gives the viewer an excellent example to see the color process "Cinecolor" a cheap technicolor clone that was being used by some studios at the time. You'll notice that the reds all seem to photograph orange (note Scott's kerchief and Chaney's long johns, for example). Not unlike Republic's "Trucolor" which seemed to have a green tinge to it.

Great to see ole Gabby in color for a change though.

Former Texas Ranger Randolph Scott travels to Albuquerque to work for his uncle's transport service, only to find the old man a swindler and a murderer. Before long, he joins forces with upstart competitor Barbara Britton, in order to show up the old man and protect her and her brother from his uncle's sabotage.

A fairly good Technicolor western, this features another sturdy performance by Scott and some nasty villainy by George Cleveland, Lon Chaney Jr., as a vicious hired hand, and Bernard J. Nedel as the crooked sheriff in Cleveland's back pocket. George "Gabby" Hayes is here too, doing what he does best, as Scott's crusty sidekick.

Some nice twists and a decent amount of action and gun-play moves things along quite nicely.

At first I thought this was going to turn into another B western since it has a cast that includes Gabby Hayes, Russell Hayden and Lon Chaney in it, but then the plot quickens and it starts to get better as time goes on.

Randolph Scott plays Cole Armin, a happy-go-lucky guy who decides to come to Albuquerque and work for his wheelchair-bound uncle, John Armin (George Cleveland) in his freight business, only to find out that his uncle has got the town under his thumb and is willing to resort to murder in order to keep it that way.

Cole decides he doesn't want any part of his uncle's business and goes to work for honest-guy Ted Wallace (Hayden) and his sister Celia (Catherine Craig) who are the only freight competition in town against his uncle. They get a contract to transport ore for the miners down from the mountains, but Cole's uncle tries to sabotage it every step of the way, including bringing in beautiful Barbara Britton to spy on them and having Lon Chaney pick fights with Cole.

But that's all for naught because Britton starts to fall in love with Hayden and she informs Cole as to what his evil uncle is up to. It all ends in a gun battle on the street and the bad guys get their just rewards, including John Armin.

I'm glad the previous poster mentioned the cheap "Cinecolor" process that Paramount originally used because I was wondering why the film had a washed-out, 'colorized' look to it. It's even more apparent on the new Universal DVD that's recently come out.

Still, it not bad. Even Gabby Hayes was bearable.

6 out of 10

Randolph Scott is heading into Albuquerque to take a job with his uncle. However, on the way there, the stage is held up--even though they are not carrying a strongbox. However, a nice lady on board is concealing $10,000 for her and her brother's business...and the robbers seem to know this.

Once in town, Scott goes to this uncle about the job. However, he soon learns that this uncle is a jerk--the typical bad guy from Westerns. You know, the rich guy who only wants to become richer by cheating and stealing and threatening until he owns everything. And, it just so happens that this jerk was behind the robbery. Scott demands that the uncle returns the money and then Scott goes into business with the nice lady and her brother.

Not surprisingly, this is NOT the end of the problems---just the beginning. Again and again, intrigues of various types occur to try to crush the uncle's opposition. One trick is to bring in a pretty lady to befriend Scott and his partners. She's a crack shot and it looks bad for Scott--until he figures out why she's come to town.

Unlike most later Randolph Scott films, this one shows Scott as a bit more headstrong man. All too often in his films he's the last one to suggest violence, but in this film he's quick to suggest a lynching (screw the law, let's have a hangin') and later he's quick to threaten the uncle. What a surprise to see him as such a hot-head--though in most other ways, he's the same old Scott you'd expect.

As far as the film goes, there's nothing particularly unusual about it. Gabby Hayes plays the usual character, Scott is a hero, the baddie cannot be reasoned with and ultimately is destroyed and Scott gets the girl. Despite this very typical plot, it's all handled very well and as a result is well worth your time.

By the way, there are two weird scenes in the film. First, late in the movie, there is a fist fight between Scott and the uncle's #1 henchman, Lon Chaney, Jr.. In it, Chaney smokes as he fights--something I never saw before and I did admire how he could puff away as he got his butt kicked. Second, get a load of that runaway cart scene with the whip--now THAT was one impossible feat!