Country squire Henry Maurier is patient with his wife Emily, a neurotic invalid, but her brother surprises Henry with his young mistress Doris. The same night, Emily dies of her chronic ... See full summary »
The story of Cardinal Josef Mindzhenty, a Roman Catholic cardinal from Hungary who spoke out against both the Nazi occupation of his country during World War II and the Communist regime ... See full summary »
Felix E. Feist
Judge Cooke, good husband and father, is known in court as Old Man Maximum. Cooke's daughter loves defender Dave Douglas, who hates Cooke's attitude toward defendants. Cooke's life shatters when he learns his wife has terminal brain cancer; as her pain worsens, he begins to consider mercy-killing, but that would place him in the position of a defendant. Written by
Rod Crawford <firstname.lastname@example.org>
This movie marks the first use of "Courthouse Square", the iconic set/location seen in "Back to the Future" and countless other movies and TV shows. The courthouse facade was built for this movie. See more »
Neither the city nor county where the courthouse is said to be located and the majority of the movie take place, are actual places in the Commonwealth of Pennsylvania. See more »
There's something quite remarkable at the heart of this honest and direct portrayal of a very human crisis. The leads here - Frederic March and Florence Eldridge, real-life husband and wife - are completely and thoroughly a middle-aged couple and depicted as such, in all their wrinkles and folds and reflections on lives that have been lived. It's a reminder that the two kinds of people we see in movies are the very young and beautiful and the very old. The Cookes here are seemingly fully filled in, a husband and wife with grown children, in the midst of real lives, inhabiting their marriage with the deep love that is far beyond the romantic love that's the staple of motion pictures. This isn't the dashing Frederic March of the 1930s but a mature, restrained father and husband. It's a bit melodramatic at times - director Michael Gordon is a journeyman professional and not William Wyler, director of the great film of that era starring March, The Best Years of Our LIves. But watch for the details, such as the sharp, discordant strings stabbing along as windshield wipers swipe across the screen. I think I saw that in another movie made a few years later.
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