A boy haunted by nightmares about the night his entire family was murdered is brought up by a neighboring family in the 1880s. He falls for his lovely adoptive sister but his nasty adoptive brother and mysterious uncle want him dead.
Kay Kerrigan commits a murder and then changes her hair color, assumes a new identity and flees the country by ship. She's unaware that she's being followed by Sam Wye, a skirt chasing ... See full summary »
Judge Cooke, good husband and father, is known in court as Old Man Maximum. Cooke's daughter loves defender Dave Douglas, who hates Cooke's attitude toward defendants. Cooke's life shatters when he learns his wife has terminal brain cancer; as her pain worsens, he begins to consider mercy-killing, but that would place him in the position of a defendant.Written by
Rod Crawford <email@example.com>
This film's relentless plotline marches straight-ahead forward as you squirm, fascinated, in your chair. The story is the familiar one about the onset of terminal illness within a solid American family of the 1940s. Never mind that it delves into MGM-style sermonizing; the great real-life husband/wife team of Fredric March and Florence Eldridge portray the couple whose once-comfortable lives are now being separated by an unstoppable and fast-advancing disease. The helpless husband, the uncomplaining wife, and their final attempt to recapture happier days with a doomed weekend outing is the stuff of deep film drama indeed. The sense of onrushing darkness is tangible through the film-noir camera shadings of Hal Mohr (Captain Blood, Phantom of the Opera , The Climax), and Daniele Amfitheatrof's rich musical score. "An Act of Murder" makes a profound statement on the value, and the fragility, of life.
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