A pinnacle of the Golden Age of Television, "Studio One" presented a wide range of memorable dramas and received eighteen Emmy nominations and five wins during its prestigious nine-year run...
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In Michigan in 1930, Sister Aquinas has aroused an interest in science among her pupils; the school workroom, which she supervises contains every conceivable type of gadget and Sister Aquinas keeps ...
A pinnacle of the Golden Age of Television, "Studio One" presented a wide range of memorable dramas and received eighteen Emmy nominations and five wins during its prestigious nine-year run on CBS. Showcasing some of the greatest talents of the era, this groundbreaking series created an enormous impact, and still remains a treasured part of America's broadcasting history. Embracing the work of some of television's most iconic writers, directors, actors, and technical artists, the Studio One Anthology featured the complete 1954 original television production of "12 Angry Men" and is highlighted by early performances by Charlton Heston, Art Carney, Jack Lemmon, and Leslie Nielsen, as well as teleplays written by Rod Serling and Gore Vidal.
Having just seen "The Laughmaker" on a fascinating DVD, I feel compelled to correct some curious information in the previous review. First, the character that Gleason "plays" on his TV show is "The Poor Soul", not "Fenwick Babbitt". The two are similar, but the "soul" is a pantomime character. Second, and most bewildering in the review, Marian Seldes (who remains "stick thin" to this day) is in EVERY scene with Gleason. Except for one final scene towards the end, she doesn't appear WITHOUT him. Gleason, playing Gleason, is quite good; Carney can't help but be likewise. But it is Sally Gracie, as the girl singer who truly loves the Gleason character, who steals the show.
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