On trial for murdering his girlfriend, philandering stockbroker Larry Ballentine takes the stand to claim his innocence and describe the actual, but improbable sounding, sequence of events that led to her death.
On trial for murder, Larry Ballentine regurgitates an unbelievable story. He recounts how he philanders with other women while his rich, loving wife Greta tries to keep him in line. According to Larry, his girlfriend Verna dies accidentally in a car crash and his distraught wife tosses herself over a cliff after he runs out on her. The jury has a tough decision on this one.Written by
Gary Jackson <firstname.lastname@example.org>
When RKO re-released this in 1957, they cut it down from 95 minutes to 80 minutes, for more convenient double-billing, a typical practice at that time, especially for RKO. Turner Classic Movies repeatedly shows the 80 minute version, despite the fact that the 95 minute version has been restored and is marketed on DVD. See more »
When Larry and Verna are driving to Reno and the truck veers in front of them, the windshield cracks before they collide. See more »
Reissue prints have been cut to 80 minutes. This is the version currently being shown on TCM. The uncut 95 minute original release is available on a long out-of-print laserdisc, released by Image Entertainment in 1990. See more »
Contrary to what some previous reviews have stated, Susan Hayward was not first billed; Robert Young was the top billed player. Cast against his usual type of role, Robert Young was perfect in the role. Comparing him to how other actors might have played the role makes no sense to me, except as an exercise in "armchair casting". The standout for me in the actresses was Rita Johnson, who was terrific. A most underrated actress (catch her in "The Big Clock"). Jane Greer was a truly beautiful woman, and it is a shame that she never achieved the heights of stardom that others did. Susan Hayward, on her way up the ladder, was as always a knockout - this is my personal favorite period for her (including "Deadline At Dawn") I thought the picture was almost perfect, full of irony and suspense. As always, the RKO cinematography is second to none. What a look those RKO movies had!
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